room and the next.In the blinding blackness, he unclipped the six-inch flashlight from his belt and clicked it. The crisp white LED beam flared brighter than that of a traditional flashlight, yet he almost stepped out of the bathroom before he realized that everything around him had changed.
A few seconds in the dark seemed to have been years . The white marble floor, polished and gleaming earlier, was dulled by dust. Pieces were missing from the decorative braided border of green and black granite. Green stains and rust streaked the nickel-plated sink. Tattered cobwebs festooned the faucet handles and the spout, as if no water had been drawn here in a long time.
In the mirror, now clouded and mottled as if fungus growing behind it had eaten away portions of its silver backing, Logan’s reflection seemed to be an apparition, lacking the substance of a real man. The inexplicable sudden deterioration of his surroundings left him for a moment breathless, and he half expected to see that he had aged with the room. But he remained as he had been when he shaved before his own bathroom mirror that morning: the brush-cut gray hair, the face seamed by experience but not yet haggard with age.
As the rumbling faded, Logan saw that the glass in the shower-stall door was gone. Only the frame remained, corroded and sagging. On the floor, no towels were to be seen.
Bewildered but able to breathe once more, he crossed the threshold into the bedroom, which contained no furniture. The LED beam revealed that the bed, the nightstands, the dresser, the armchair, the art on the walls were all gone. The imitation Persian rug had vanished as well, revealing more of the wood floor.
The surprise of finding the space unfurnished gave way to consternation and to concern about his sanity when the trembling beam of light revealed that the bedroom appeared to be in a long-abandoned house. Worn and warped beneath the dust, the mahogany floor inplaces curled up from the concrete to which it had long been adhered. Stains like the velvet wings of enormous moths discolored the wallpaper, and overhead the once-white paint, now gray and yellow, dangled in delicate peels, as if the deep coffers had been the cocoons from which those insectile shapes had quivered free.
As a detective, Logan possessed unshakable faith in what his five senses revealed to him and in what meaning his mind—both with reason and intuition—would eventually make of those many details. Facts could be twisted by liars, but every fact was like a piece of memory metal that inevitably returned to its original shape. His eyes couldn’t lie to him, though he tried to blink away these impossible changes in the senator’s bedroom.
After so many years as a cop, he saw the whole world as a crime scene, and in every crime scene, truth waited to be found. Initially the evidence might be misinterpreted—but seldom for long, and never by him. Throughout his career, other cops called him Hawkeye, not only because he saw so clearly but also because he could look down on a case as if from a great height and see truth as the hawk sees the field mouse even in the tall grass. Yet though he knew that everything around him now must be a lie, he could not perceive the reality through the illusion.
After a moment, however, as if someone dialed a rheostat, light rose, at first from mysterious sources, but then from semitransparent shapes that resembled the lamps that had been here when Logan first entered the room. Not only lamps but also furniture materialized, ghostly shapes at first, like the weaker image in a photographic double exposure, but rapidly becoming more solid, more detailed. The Persian-style carpet reappeared under his feet.
While the reality of the senator’s bedroom reasserted, while the vision of an abandoned and deteriorated building faded, Loganturned slowly in place. The welling light rinsed the mothy stains from the pale-gold wallpaper. The gray and yellow ragged paint of the