A Gesture Life by Chang-rae Lee Page A

everyday, civilian life, and then finally decided to leave Japan altogether, for the relative—though very different—liberties of America.
    Though here, in my town and every town, especially when you reach my age, you sadly find that the most available freedom is to live alone. There is an alarming surplus of the right. And though everyone accepts this, it’s unclear to me whether anyone trulyprefers it so. Few seem satisfied with the familial character of their latter years. Even Mary Burns, who no doubt taught her daughters the value of family, found that they honored her training of them by keeping to themselves, as if her involvement would be an adulteration. They didn’t visit as often as she wished, nor of course did they ever ask if she would like to come live with them after Dr. Burns died, and even after her friendship with me came to its abrupt, unpleasant end. They let her be. Her daughters’ distance was an ever-deepening disappointment to her (even if she never really expected them to be perfectly embracing and filial), and though she rarely spoke of it, I know now it was one of the reasons why she was so willing to spend time with Sunny, and why any time was still better than none.
    Veronica, who is now nibbling on her fingernails, one by one, as she flips the pages of her book, has already told me that she wants to live at home as long as possible, through college and beyond, at least until she gets married. She waits in my room for her mother, who will come to pick her up. Veronica’s future husband, who Veronica is certain will be a sculptor or a policeman or both, will have to love Officer Como as much as she does. Veronica herself will be a travel agent and murder mystery writer and the proud mother of seven bright-eyed, immeasurably happy girls. She doesn’t care if they’re not beautiful, in fact hopes that they aren’t, for she has seen already how some of the prettiest girls in her class have become distant and superior and wholly ungenerous, and particularly how the blond, slim, protuberantly endowed Brittany, the self-appointed head of the shrinking cadre of candy stripers, will hardly even look at her, as if doing so would be to invite certain personal doom.
    My initial impulse is to tell Veronica how she’s absolutely right,how in this world (or the one we’ve made) beauty is the scantest blessing, and how, despite the appearance of ever-bestowed glory and celebration, it is mostly malice and misery that are returned to the bearer. I know this now, not from my own appearance, but from dealing with Sunny when she reached a certain maturity. She was beautiful, and in all the complicated ways I’ve already mentioned; Sunny thus educated me. In regard to myself, I’ve often been told I have a youthful, genial appearance, and am even a bit handsome. I remember what Mary Burns once remarked, after the first whole night we spent together. We were in my bedroom, and her spirit was ebullient with the clear light of the morning. She rose on her elbow and stretched, her exposed back still lithe and impressively athletic, and then she lay down and gazed at me from close range, as if she were tracing with her eyes the shape of my lips and nose and brow. I cleared my throat and sat up.
    “I’m sorry,” she said, blushing. “I’m being terribly rude. I don’t mean to be odd. You must be wondering.”
    So I said, “You’re making sure I’m the man you met last night?”
    “No,” she said, smiling easily. “I’m not. It’s just that your face is so unlike my late husband’s, I can’t tell you. Bradley had such severe features, a long, narrow nose and deep-set eyes and a jutting chin. He was aggressive, in appearance. You have a wonderful gentleness to your face. A softer line to everything.” She smiled and lightly kissed my shoulder. “Goodness, listen to me. I’m sorry I’m talking like this. I’m going to scare you away.”
    I didn’t, or couldn’t, reply, which wasn’t my