the room was in. And then he complained about the street where the house was and then the city and then the world. Do you know what they did? They put a cushion on his chair. And then he didnât know what to say and so he took the old strings and those pieces of wood and he made himself a harp. And then he began to make music for everyone who came to the house. And then he made music for the city and the world. Do you know what I think? Iâll have to find a cushion for the chair of my darling Peggy.â
âThereâs just no use talking to you. Good night.â
âWait then. How about another kiss?â
âNo.â
âWait then. At least scratch your leg before you go. Think of it. Two thousand years of history lost.â
âYouâre impossible, Paul. Now Iâm sure of it.â
She went in and closed the door.
I walked home. My father was sitting in the rocker on the porch. He was smoking his pipe. For a moment it troubled me to see him sitting alone in the night. Suddenly I felt sure he had been waiting for me to come home and talk and tease him a little. I wanted to give him the delight that Peggy had given me.
âWell, sir, we meet again,â I said. âIâd like to remind you that my name is Paul. I stopped by to let you know it wonât be long now.â
âFor what?â
âThree more days and I start work on that new job.â
âThatâs why Iâm up. I was waiting to hear more about it.â
âThis will be a wonderful year. First Iâll get married. And then Iâll paint the house. Iâll borrow that aluminum ladder from Theodore Ampazis. He says I can lift it with one finger. Iâll paint the house white and then Iâll start on the inside. Iâll plaster the cracks in the walls and paint every room. And then Iâll buy a car and weâll take long rides down along the lake in the evening. Do you know what? Iâve been thinking about your cousin in Vandergrift, Pennsylvania. In fact, I was waiting for him the other day. Whatâs his name?â
âMichael. Michael Christopher.â
âWe should take a trip this summer and surprise Michael.â
âAre you losing your mind? I never saw the man. I donât know anything about him. What the hell do I want to see him for?â
âJust for those reasons. Donât you wonder about him? Donât you ever think about his life? Is he married? Has he got any children? How does he earn his living? Does he like music? Does he walk in the woods at night and listen for the song of the nightingale? Are there any nightingales in Vandergrift? Listen, Pa, listen.â
âThereâs no choice for me.â
âItâs Michael Christopher! Heâs calling in the night. Hello, Michael, hello! Speak, Michael, speak! Tell us what you want us to do. Your cousin is waiting, Michael. Not your third cousin. Not your second cousin. Itâs your first cousin and you can tell him everythingâ¦. Do you know what, Pa? Iâm going to make a song for Michael Christopher and his family. Would you like to hear it?â
âPlay if you want to play. Itâs either talk or music with you.â
âIsnât it strange? I canât stop thinking about Michael. What do you think heâs doing right this minute? Is he waiting for the song?â
âIâll tell you what heâs doing. Heâs sitting there scratching his head. Heâs wondering where it all started and where it will end. And heâs wondering what the hell it all means.â
7
By the time I started work on that new job I had promised to bring special chops and roasts and sausages to most of the neighbors. They invited me to join them for supper on those occasions. I told Theodore Ampazis that I would bring him a leg of lamb every Saturday.
âWeâll eat it on Sunday,â he said. âIâll roast it for you with garlic and parsley and