following the path broken by the backhoe, trying to keep his weight on his feet, trying to avoid the noise sliding would make.
The slope was too steep. He slid a few feet, regained control. Slid again as the earth gave way under his feet. Then he lay on his back, motionless, breathing dust, cursing under his breath at the noise he had made. He listened, hand gripping the cable. Down here under the ridge, he could no longer hear the distant pump motor. The coyote yipped somewhere off to his left and provoked an answering yip from its partner. He saw the backhoe, partially visible through the brush, its motor silent. The half-moon lit the roof of its cab, the shovel, and part of the jointed arm that controlled it. Nails apparently had been frightened away. It didnât matter. He had the backhoe. He had the truck that had hauled it here, and the record would show Nails had rented the truck.
Chee gripped the cable and shifted his free hand to push himself erect. He felt cloth under his fingers. And a button. And the hard bone and cold skin of a wrist. He scrambled away from it.
The form lay facedown, head upslope, in the deep darkness cast by a juniperâits left hand stretching out toward the cable. A man, Chee saw. He squatted, controlling the shock. And when it was controlled, he leaned forward and felt the wrist.
Dead. Dead long enough to be stiff. He bent low over the corpse and turned on his flash. It wasnât Nails. It was a Navajo. A young man, hair cut short, wearing a blue checked shirt with two stains on its back. Chee touched one of them with a tentative finger. Stiff. Dried blood. The man had apparently been shot twice. In the middle of the back and just above the hip.
Chee snapped off the light. He thought of the Navajoâs ghost, hovering nearby. He turned his mind away from that. The chindi was out there, representing all that was evil in the dead manâs being. But one did not think of chindis out in the darkness. Where was Nails? Most likely, hours away from here. But why did he leave the truck? This Navajo must be the one seen with Nails when theyâd stolen the backhoe. Maybe the Navajo had driven the truck, Nails had come in his own car. Odd, but possible.
Chee moved cautiously the few remaining yards to the bottom of the hill. It was full dark here, the moonlight blocked by the high ground. Just enough reflected light to guide his feet. A falling out of thieves, Chee thought. A fight. Nails pulls a gun. The Navajo runs. Nails shoots him. He didnât believe Nails would still be here, or anywhere near here. But he walked carefully.
Even so he almost tripped over the bag before he saw it. It was black plastic, the sort sold in little boxes of a dozen to line wastebaskets. Chee untwisted the wire securing its top and felt inside. Fragments of pottery, just as heâd expected. Between him and the backhoe, more such bags were clustered. Chee walked past them to look at the machine.
It had been turned off with the shovel locked high over the trench it had been digging into a low, brush-covered mound. Scattered along the excavation was a clutter of flat stones. Once they must have formed the wall of an Anasazi settlement. He didnât notice the bones until he turned on his flash.
They were everywhere. A shoulder blade, a thigh bone, part of a skull, ribs, four or five connected vertebrae, part of a foot, a lower jaw.
Jim Chee was modern man built upon traditional Navajo. This was simply too much death. Too many ghosts disturbed. He backed away from the excavation, flashlight still on, careful no longer. He wanted only to be away from here. Into the sunlight. Into the cleansing heat of a sweat bath. To be surrounded by the healing, curing sounds of a Ghostway ceremonial. He started up the slope, pulling himself up by the cable.
The panic receded. First he would check the backhoe cab. He trotted to it, guided by the flash. He checked the metal serial-number plate and the Navajo