didn’t quite admit feeling uneasy about, but now
That it’s all out in the open, like a successful fire
Burning in a fireplace, really there’s no cause for alarm.
For even when hours and days go by in silence and the phone
Never rings, and widely spaced drops of water
Fall from the eaves, nothing is any longer a secret
And one can live alone rejoicing in this:
That the years of war are far off in the past or the future,
That memory contains everything. And you see slipping down a hallway
The past self you decided not to have anything to do with any more
And it is a more comfortable you, dishonest perhaps,
But alive. Wanting you to know what you’re losing.
And still the machinery of the great exegesis is only beginning
To groan and hum. There are moments like this one
That are almost silent, so that bird-watchers like us
Can come, and stay awhile, reflecting on shades of difference
In past performances, and move on refreshed.
But always and sometimes questioning the old modes
And the new wondering, the poem, growing up through the floor,
Standing tall in tubers, invading and smashing the ritual
Parlor, demands to be met on its own terms now,
Now that the preliminary negotiations are at last over.
You could be lying on the floor,
Or not have time for too much of any one thing,
Yet you know the song quickens in the bones
Of your neck, in your heel, and there is no point
In looking out over the yard where tractors run,
The empty space in the endless continuum
Of time has come up: the space that can be filled only by you.
And I had thought about the roadblocks, wondered
Why they were less frequent, wondered what progress the blizzard
Might have been making a certain distance back there,
But it was not enough to save me from choosing
Myself now, from being the place I have to get to
Before nightfall and under the shelter of trees
It is true but also without knowing out there in the dark,
Being alone at the center of a moan that did not issue from me
And is pulling me back toward old forms of address
I know I have already lived through, but they are strong again,
And big to fill the exotic spaces that arguing left.
So all the slightly more than young
Get moved up whether they like it or not, and only
The very old or the very young have any say in the matter,
Whether they are a train or a boat or just a road leading
Across a plain, from nowhere to nowhere. Later on
A record of the many voices of the middle-young will be issued
And found to be surprisingly original. That can’t concern us,
However, because now there isn’t space enough,
Not enough dimension to guarantee any kind of encounter
The stage-set it requires at the very least in order to burrow
Profitably through history and come out having something to say,
Even just one word with a slightly different intonation
To cause it to stand out from the backing of neatly invented
Chronicles of things men have said and done, like an English horn,
And then to sigh, to faint back
Into all our imaginings, dark
And viewless as they are,
Windows painted over with black paint but
We can sufficiently imagine, so much is admitted, what
Might be going on out there and even play some part
In the ordering of it all into lengths of final night,
Of dim play, of love that at last oozes through the seams
In the cement, suppurates, subsumes
All the other business of living and dying, the orderly
Ceremonials and handling of estates,
Checking what does not appear normal and drawing together
All the rest into the report that will finally be made
On a day when it does not appear that there is anything to receive it
Properly and we wonder whether we too are gone,
Buried in our love,
The love that defined us only for a little while,
And when it strolls back a few paces, to get another view,
Fears that it may have encountered eternity in the meantime.
And as the luckless describe love in glowing terms to strangers
In taverns,