that witnesses often leave out the most crucial detail. They cannot know what is useful for a police investigation.â
âOf course, of course,â Kamal said, crooking his thumbs through the striped braces of his trousers. âWitnesses have no sense of the value of certain clues.â
Kananbala tried to slow her thundering heart. After all her isolation, to have to speak before a stranger, and on something so important, something that might save her friendâs life. She would surely get it wrong. Taking a deep breath, she said, âWhat would an old woman do lying? Yes, I did see something.â
âGo on, Mataji,â the policeman said with a warning look at Amulya.
âThe poor man had just come back. He must have been tired, these British people work so hard. He had been away for several days.â
âHow many?â the policeman asked, and turning to his deputy rapped out, âNoting everything, arenât you?â
âI think three or four days.â
âCarry on.â
âThere were some tribals waiting at his gate. The guard was not there. It was already quite late, and the road was dark. They surrounded him and they were arguing and fighting. One of them was very tall, with long hair, very dark.â
âDid you hear what they said, Mataji?â the policeman asked. âDid anyone have a knife? Could you see their faces? Would you recognise them?â
Kananbala seemed to flail under the flurry of questions, making a few incoherent noises in response. Amulya, alarmed, half rose to take her away. The policeman gestured him down and returned to her.
âDid you see any weapon?â
âThe tall man had something at his waist. But I canât say. It was dark, I could not see so clearly. My eyesight ⦠the doctor has said I need new glasses, but for that my eyes need to be tested and ⦠And they were fighting: something about the mine in the forest, and money. They are poor people after all and they have homes in the forest ⦠â
âWhat happened then, Mataji?â The policeman tried patiently. Old ladies had to be handled with care.
âThen there was a scuffle, some confusion, what happened inside the crowd I couldnât see. But the group left quickly, ran away. And the man was on the ground.â
âWhere was Mrs Barnum? The guard says she had gone out and given him the evening off as she always did when her husband was away.â He turned to Amulya and said, âStrange thing to do, isnât it? You would think she needed the guard with her husband away.â
âOh, she was at home all night after she came back. I saw her coming back. It must have been quite early still â I had not yet had dinner. Then she was upstairs,â Kananbala said, pausing as if trying to remember. âI can see her quite clearly from my bedroom window when her light is on. She often forgets to draw her curtain. She was sitting at her window and yes, of course! For a little while she played her piano. Didnât you hear it?â Kananbala asked Amulya.
Amulya looked at her and said, âPiano?â He wanted to tell her not to talk so much. Could it be long before one of her vulgarities slipped out? What if she called the policeman a cuckolded jackass as she had the gardener just before he left?
âWell, she plays something every night and Nirmal told me itâs a piano. What do I know of such things?â
âDid you see Mrs Barnum come down?â
âShe didnât know he was back, I think. Poor girl! Maybe she never heard the car with her piano playing!â Kananbala said, âTo think she stayed up all night in her room not knowing her husband was bleeding to death downstairs. She might have been able to save him. How she must torment herself with the thought.â Kananbala sighed.
The policeman scribbled in his notebook and then turned to Amulya: âShe will have to be a