pulled the trigger. The weapon’s contact against his skin muffled the blast. His head snapped back and blood splattered across the wall of police memorabilia behind him.
Bosch never moved in his seat. He just watched it happen. Pretty soon the woman from the front counter came running in and she screamed and held her hands up to her mouth.
Bosch turned and looked at Rider.
“That was a long time coming,” he said.
Laura was already rented at Eddie’s Saturday Matinee, so Bosch rented Sharky’s Machine instead. He watched it at home that night while drinking beer and eating peanut butter sandwiches, and trying to keep his mind away from what had happened in Eckersly’s office. It wasn’t a bad movie, though he could see almost everything coming. Burt Reynolds and Bernie Casey made pretty good cops and Rachel Ward was the call girl with a heart of gold. Bosch saw what Burt saw in her. He thought he could easily fall in love with her, too. Call girl or not, dead or alive.
Near the end of the movie, there was a shootout and Bernie Casey got wounded. Bleeding and out of bullets, he used a Zen mantra to make himself invisible to the approaching shooter.
It worked. The shooter walked right by him, and Bernie lived to tell about it. Bosch liked that. At the end of the movie he remembered that moment the best. He wished there were a Zen chant he could use now so Ronald Eckersly could just walk on by him, too. But he knew there was no such thing. Eckersly would take his place with the others that came to him at night. The ones he remembered.
Bosch thought about calling Kiz and telling her what he thought of the movie. But he knew it was too late and she would get upset with him. He killed the TV instead and turned off the lights.
And for more Michael Connelly…
The following is an excerpt from the opening pages of The Drop .
On sale 27th October 2011.
Available for pre-order now.
One
Christmas came once a month in the Open-Unsolved Unit. That was when the lieutenant made her way around the squad room like Santa Claus, parceling out the assignments like presents to the squad’s six detective teams. The cold hits were the lifeblood of the unit. The teams didn’t wait for callouts and fresh kills in Open-Unsolved. They waited for cold hits.
The Open-Unsolved Unit investigated unsolved murders going back fifty years in Los Angghteles. There were twelve detectives, a secretary, a squad room supervisor, known as the whip, and the lieutenant. And there were ten thousand cases. The first five detective teams split up the fifty years, each pair taking ten randomly chosen years. Their task was to pull all the unsolved homicide cases from their assigned years out of archives, evaluate them and submit long-stored and forgotten evidence for reanalysis with contemporary technology. All DNA submissions were handled by the new regional lab out at Cal State. When DNA from an old case was matched to an individual whose genetic profile was carried in any of the nation’s DNA databases, it was called a cold hit. The lab put cold hit notices in the mail at the end of every month. They would arrive a day or two later at the Police Administration Building in downtown Los Angeles. Usually by 8 A.M. that day, the lieutenant would open the door of her private office and enter the squad room. She carried the envelopes in her hand. Each hit sheet was mailed individually in a yellow business envelope. Generally, the envelopes were handed to the same detectives who had submitted the DNA evidence to the lab. But sometimes there were too many cold hits for one team to handle at once. Sometimes detectives were in court or on vacation or on leave. And sometimes the cold hits revealed circumstances that required the utmost finesse and experience. That was where the sixth team came in. Detectives Harry Bosch and David Chu were the sixth team. They were floaters. They handled overflow cases and special investigations.
On Monday morning,