standing in the second-story library window. Madge could have sworn she saw worry on the womanâs face. The feeling shook her because she could not remember the sisters ever worrying about her. When she looked again, the widow was no longer there.
Hemp walked closely enough beside her that his jacket brushed her dress. He smelled of cedar, and she wanted to inhale him like a pocket of air. They turned a corner. A park lay on the east block, and the wind cut at her cheek. They crossed a swing bridge into the second district of the city. A tall-mast ship on the river moved silently by, and the moon lit their path.
âItâs just a piece more.â
She stumbled. He grabbed her arm to steady her. She slowed, turning an ear up to hear the syrup drip when his lips moved.
âYou like working for that hotel?â
âHuh?â
âThat hotel?â
âGuess so. Better than farm work.â
âWell, I sure am glad to hear you donât mind it. I sure donât mind working for the widow. Finding a good house make all the difference in the world,â she said, repeating something Olga had said to her, but Hemp looked puzzled by the statement.
âYour feet hurt? You need me to wave down a wagon?â
âYou know they donât call it no wagon up here, Hemp. They call it a carriage.â
He looked down at her and smiled. âWhat you know about carriages?â
âNot much.â
Just then, a carriage pulled up in front of them, and a liveried colored driver emerged. He opened the door, and Hemp offered her his hand.
âWhatâs this?â
âSince you know so much about carriages . . .â
She took Hempâs hand and climbed inside. The driver shut the door behind them. Madge looked out the window at the lake, whitecaps rippling along its dark surface.
âYou sure are something. Where we going?â
âItâs a nice night for a ride. Feel good, donât it.â
âSurely do.â
Madge squinted. She had never been out with a man before, and the realization quieted her for a few uncomfortable moments.
He cleared his throat. âSo you say you like working for that widow?â
âShe take good care of me, I guess,â she said. âBetter than them three women I live with down in Tennessee.â
âThree women? You mean your aunts? The sisters?â
âAll three. Not mine, though.â
âItâs something about your hands, ainât it. Something blessed.â
âTell me something. How you give birth to something and then turn your back on it?â
âI donât know. I never give birth to nobody.â
âAll I ask for was one good-bye. A be safe. A God keep you. I didnât get nothing, not even a kiss-my-foot.â
âWhat you say to them? You bless them?â
âI donât understand family. We supposed to help each other, not tear each other up.â
âEven a bad family a good one,â he said.
âI ainât never done nothing to them women.â
âBetter than no family at all.â
âWhy I got to be born to them? Why I canât be born to a mama and a daddy?â
âSound like you need to make peace with some folks.â
She turned to him. âWhat are you talking about?â
âIâm saying this city is a dream, Madge. It ainât real.â
âWhatâs real then?â
âFor you, Tennessee. For me, Kentucky. I had a life before this one even though I couldnât lay claim to it. Now all I got is this air biting at the back of my neck.â
âYou didnât have no life, Hemp. Everything you ever done while you was a slave was a wish. I ainât never known love and neither has you.â
âYou wrong, Miss Madge,â he said quietly. âI known love and I known hate. I known a lot of things.â
She looked through the window. Her eyes felt tight and small, as if they wanted to swell and
James Dobson, Kurt Bruner