words out slowly. âWeâre barely into the session and you start taking command. I had some things I wanted to discuss, things that Iâve had on my mind lately, and you barge right in with questions. I donât like aggressive behavior.â
The Doctor collapsed the steeple and clasped his hands. âYet youâre attracted to aggressive men.â
âYes, but what does that have to do with it?â
Havilland slumped forward in his chair. âTouché, Linda. But let me state my case before I apologize. Youâre paying me a hundred and fifteen dollars an hour, which you can afford because you earn a great deal of money doing something you despise. I see this therapy as an exercise in pure pragmatism: Find out why youâre a hooker, then terminate the therapy. Once you stop hooking you wonât need me or be able to afford me, and weâll go our separate ways. I feel for your dilemma, Linda, so please forgive my haste.â
Linda felt a little piece of her heart melt at the brilliant manâs apology. âIâm sorry I barked,â she said. âI know youâre on my side and I know your methods work. So ⦠in answer to your question, yes, I do have an active fantasy life.â
âWill you elaborate?â Havilland asked.
âAbout six years ago I posed for a series of clothed and semi-nude photographs that ultimately became this arty-farty coffee table book. There was this awful team of gay photographers and technicians, and they posed me in front of air conditioners to blow my hair and give me goose bumps and beside a heater to make me sweat buckets, and they turned me and threw me around like a rag doll, and it was worse than fucking a three hundred pound drunk.â
âAnd?â Havilland whispered.
âAnd I used to fantasize murdering those fags and having someone film it, then renting a big movie theatre and filling it with girls in the Life. Theyâd applaud the movie and applaud me like I was Fellini.â
The Doctor laughed. âThat wasnât so hard, was it?â
âNo.â
âIs that a recurring fantasy?â
âWell ⦠no â¦â
âBut variations of it recur?â
Linda smiled and said, âYou should have been a cop, Doctor. People would tell you whatever you wanted to know. Okay, thereâs this sort of upbeat version of the movie fantasy. You donât have to be a genius to see that it derives from my parentsâ deaths. Iâm behind a camera. A man beats a woman to death, then shoots himself. I film it, and itâs real and it isnât real. What I mean is, of course what happens is real, only the people arenât permanently dead. Thatâs how I justify the fantasy. What I think Iââ
The Doctor cut in: âInterpret the fantasy.â
âLet me finish!â Linda blurted out. Lowering her voice she said, âI was going to say that somehow it all leads to love. These real or imaginary or whatever people die so that I can figure out what my fucked-up childhood meant. Then I meet this big, rough-hewn man. A lonely, no-bullshit type of man. Heâs had the same kind of life as me and I show him the film and we fall in love. End of fantasy. Isnât it syrupy and awful?â
Looking straight at the Doctor, Linda saw that his features had softened and that his eyes were an almost translucent light brown. When he didnât answer, she got up and walked over to the framed diplomas on the wall. On impulse, she asked, âWhereâs your family, Doctor?â
âI donât really have a family,â Havilland said. âMy father disappeared when I was an adolescent and my mother is in a sanitarium in New York.â
Turning to face him, Linda said, âIâm sorry.â
âDonât be sorry, just tell me what youâre feeling right now.â
Linda laughed. âI feel like I want a cigarette. I quit eight months ago, one of