we wait.”
By the time a knotted rope had been prepared and anchored about a near-by needle of rock the little wind was blowing cleanly up the shaft, still laden with that indefinable odor of ages, but breathable. Smith swung over first, lowering himself cautiously until his feet touched the stone. Yarol, when he came down, found him swinging the Tomlinson-beam about a scene of utter lifelessness. A passageway stretched before them, smoothly polished as to walls and ceiling, with curious, unheard-of-frescoes limned in dim colors under the glaze. Antiquity hung, almost tangibly in the air. The little breeze that brushed past their faces seemed sacrilegiously alive in this tomb of dead dynasties.
That glazed and patterned passageway led downward into the dark. They followed it dubiously, feet stirring in the dust of a dead race, light-beams violating the million-years night of the underground. Before they had gone very far the circle of light from the shaft disappeared from sight beyond the up-sloping floor behind them, and they walked through antiquity with nothing but the tiny, constant breeze upon their faces to remind them of the world above.
They walked a very long way. There was no subterfuge about the passage, no attempt to confuse the traveler. No other halls opened from it — it led straight forward and down through the stillness, the dark, the odor of very ancient death. And when at long last they reached the end, they had passed no other corridor-mouth, no other openings at all save the tiny ventilation holes at intervals along the ceiling.
At the end of that passage a curving wall of rough, unworked stone bulged like the segment of a sphere, closing the corridor. It was a different stone entirely from that under the patterned glaze of the way along which they had come. In the light of their Tomlinson-tubes they saw a stone door set flush with the slightly bulging wall that held it. And in the door's very center a symbol was cut deep and vehement and black against the gray background. Yarol, seeing it, caught his breath.
“Do you know that sign?” he said softly, his voice reverberating in the stillness of the underground, and echoes whispered behind him down the darkness, “— know that sign . . . know that sign? ”—
“I can guess,” murmured Smith, playing his light on the black outline of it.
“The symbol of Pharol,” said the Venusian in a near-whisper, but the echoes caught it and rolled back along the passage in diminishing undertones, “— Pharol . . . Pharol . . . Pharol! ”
“I saw it once carved in the rock of an asteroid,” whispered Yarol. “Just a bare little fragment of dead stone whirling around and around through space. There was one smooth surface on it, and this same sign was cut there. The Lost Planet must really have existed, N.W., and that must have been a part of it once, with the god's name cut so deep that even the explosion of a world couldn't wipe it out.”
Smith drew his gun. “We'll soon know,” he said. “This will probably fall, so stand back.” The blue pencil of heat traced the door's edges, spattering against the stone as Yarol's had in the city above. And as before, in its course it encountered the weak place in the molding and the fire bit deep. The door trembled as Smith held the beam steady; it uttered an ominous creaking and began slowly to tilt outward at the top. Smith snapped off his gun and leaped backward, as the great stone slab tottered outward and fell. The mighty crash of it reverberated through the dark, and the concussion of its fall shook the solid floor and flung both men staggering against the wall.
They reeled to their feet again, shielding blinded eyes from the torrent of radiance that poured forth out of the doorway. It was a rich, golden light, somehow thick, yet clear, and they saw almost immediately, as their eyes became accustomed to the sudden change from darkness, that it was like no light they had ever known before.
Andrew Lennon, Matt Hickman