was over.
âTory,â I said. âWas she close with Gary Russell?â
âOh no, Mr. Detective,â she said. âIf I tell you, you have to tell me.â
The waiter returned with the coffeepot, poured us both more coffee. âYou want something to eat?â I asked her.
âNo, thanks. But I think we need more milk.â She poured what was left of the milk into her cup, gave the pitcher to the waiter with another smile.
âSullivan said heâd arrest me if I didnât drop the case and leave town,â I told her.
âNo way.â
âYes.â
âFor real? Can he do that?â
âUh-huh.â
âWell,â she said, looking around, âthis isnât exactly out of town.â
âI have a reprieve, maybe an hour. Then I have to go.â
âI could put that in my story,â she offered. âAbuse of police power. He might back down, if itâs in the paper.â
âNo thanks. But he wonât be happy to hear Iâm talking to a reporter.â
âDo you care?â
I thought about it. From Sullivanâs point of view he was doing what he had to do, telling me to drop it, throwing me out of town; but he was also cutting me as much slack as he thought he could, promising to let me know if he found Gary, letting me stay to talk to Helen. If he got seriously pissed off heâd keep doing the job, stop doing me favors. On the other hand, Stacie Phillips might be able to lay out Garyâs life for me in a way an adult couldnât do. And Sullivan might be out of favors already.
âNo,â I said.
âMe, either.â
âYou might get in trouble,â I warned her.
âFor what? He didnât tell me not to talk to you .â
âI hear this townâs sensitive about stories that might make them look bad.â
âBecause of what happened before? God, that was before I was born . When do people stop being sensitive about things?â
âThings like that, maybe never.â
âWell,â she said, âif they donât want to look bad they should stop doing things that make news.â
I couldnât argue with that. âSullivan might stop letting you into press conferences,â I said.
âI donât think thatâs legal. Besides, he wonât bother. He doesnât take me seriously anyway. None of them do.â She grinned again. âI get some good stories because of that.â
âOkay,â I said. âIâll tell you about the Wesley house. But Garyâs motherâs my client and Garyâs my nephew, so Iâm not going to tell you much about that. And then youâll tell me what you know about Gary and his friends.â
âDeal.â
I described the scene at Tory Wesleyâs house, the garbage and the flies, the cat, the position and location of the body. I left out some things: what a body looks like, smells like after a few days. It would take an autopsy to determine what killed Tory Wesley, but sheâd been nude and bruised. Sullivan or the chief might cover some of that in the press conference, but I didnât see any reason to talk about it now, to another teenage girl in a sunny booth at the town diner.
Stacie Phillips took out a spiral pad, took notes in a round, open hand. She didnât interrupt, and except for a tiny pause, a stutter in her writing hand now and then, if anything I told her upset her, she didnât show it.
I finished, drank some coffee while she looked at her notes. She seemed to think about something, lifted her eyes to me. âTell me the gross parts.â
âWhat?â
âItâs Wednesday. If Tory died Saturday night and was just lying there all this time . . .â
âYou donât want to hear it.â
âYes, I do. Stuart Early can get all the facts, just like you gave me. I want a color piece. Itâs the only way Iâll get a byline.â
âThis
Sophie Kinsella, Madeleine Wickham