Carte Blanche

Carte Blanche by Jeffery Deaver Page A

Book: Carte Blanche by Jeffery Deaver Read Free Book Online
Authors: Jeffery Deaver
this assignment had raised.
    Fit your response to your enemy’s purpose.
    But what was Noah’s purpose?
    Indeed, who the hell was he?
    Bond moved through the trees, then cut across the corner of a field dotted with an early growth of sugar beet. He diverted around a fragrant bog and moved carefully through a tangle of brambles, making his way toward the hospital. Finally he came to the barbed-wire perimeter, posted with warning signs. Eastern Demolition and Scrap was doing the work, they announced. He’d never heard of the company but thought he might have seen their lorries—there was something familiar about the distinctive green and yellow coloring.
    He scanned the overgrown field in front of the building, the parade grounds behind. He saw nobody, then began to clip his way through the fence with wire cutters, thinking how clever it would be to use the building for secret meetings relevant to Incident 20; the place would be soon torn down, which would destroy any evidence of its use.
    No workers were nearby but the presence of the black car suggested someone might be inside. He looked for a back door or other unobtrusive entrance. Five minutes later he found one: a depression in the earth, ten feet deep, caused by the collapse of what must have been an underground supply tunnel. He climbed down into the bowl and shone his torch inside. It seemed to lead into the basement of the hospital, about fifty yards away.
    He started forward, noting the ancient cracked brick walls and ceiling—just as two bricks dislodged themselves and crashed to the floor. On the ground there were small-gauge rail tracks, rusting and in places covered with mud.
    Halfway along the grim passage, pebbles and a stream of damp earth pelted his head. He glanced up and saw that, six feet above, the tunnel ceiling was scored like a cracked eggshell. It looked as if a handclap would bring the whole thing down on him.
    Not a great place to be buried alive, Bond reflected.
    Then he added wryly to himself, And just where exactly would be?
    “Brilliant job,” Severan Hydt told Niall Dunne.
    They were alone in Hydt’s site caravan, parked a hundred yards from the dark, brooding British Army hospital outside March. Since the Gehenna team had been under pressure to finish the job by tomorrow, Hydt and Dunne had halted demolition this morning and made sure that the crew stayed away—most of Hydt’s employees knew nothing of Gehenna and he had to be very careful when the two operations overlapped.
    “I was satisfied,” Dunne said flatly—in the tone with which he responded to nearly everything, be it praise, criticism or dispassionate observation.
    The team had left with the device half an hour ago, having assembled it with the materials Dunne had provided. It would be hidden in a safe house nearby until Friday.
    Hydt had spent some time walking around the last building to be razed: the hospital, erected more than eighty years ago.
    Demolition made Green Way a huge amount of money. The company profited from people paying to tear down what they no longer wanted . . . and it profited by extracting from the rubble what other people did want: wooden and steel beams, wire, aluminum and copper pipes—beautiful copper, a rag-and-bone man’s dream. But Hydt’s interest in demolition, of course, went beyond the financial. He now studied the ancient building in a state of tense rapture, as a hunter stares at an unsuspecting animal moments before he fires the fatal shot.
    He couldn’t help but think of the hospital’s former occupants too—the dead and dying.
    The image brought with it a shiver of pleasure.
    Hydt had snapped dozens of pictures of the grand old lady as he’d strolled through the rotting halls, the moldy rooms—particularly the mortuary and autopsy areas—collecting images of decay and decline. His photographic archives included shots of old buildings as well as bodies. He had quite a number, some rather artistic, of places like

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