morning.â
âYou want company?â
âWish I could. Itâs kind of a business breakfast.â
âOn
Sunday?
â
âThe Lordâs business wonât wait.â Dad gives her a smile, his voice oozing charm. âI need to be alone this morning. How about I call you this afternoon?â
âYou didnât seem to mind me so much last night,â the woman says, pouting.
âThatâs because he was drunk,â I say, stepping out of the bathroom to make my presence here known. The woman kind of gapes at me, and I just look back at her. It makes me think of the line from that old Rod Stewart song:
The morning sun when itâs in your face really shows your age.
Dad doesnât miss a beat. âRhonda, this is my son, Billy, the one I told you was a student at Connaughton. Billy, meet Rhonda.â
I stay where I am while she glances at my father, then back at me. For a second the only sound is a TV playing in another room. Canned laughter.
âYou found your scarf,â I say. âWas there anything else you needed?â
Rhonda opens her mouth and then quickly snaps it closed, hard enough that I can almost hear her lipstick flaking off. My father slips an arm over her shoulder and ushers her out the door, murmuring something reassuring about calling her later. He shuts the door behind her, then spins back to me, his arm shooting out to grab me by the collar, yanking me toward him.
âWhat was that?â he says sharply.
âFunny,â I say. âI was going to ask you the same question.â
Dad leans in until I can count the veins on his nose. âListen, you snot-nose little punk. You might think youâre some big noise up here in the middle of nowhere, setting up a scam for this Rush kid. But if you start getting delusions of grandeur, youâre gonna end up face-down in the dirt before you even know whatâs hit you.â He shakes me hard enough to rattle my teeth. âAre we clear?â
âLet me go,â I say, jerking myself free, and somewhere underneath my pounding heart, I can feel that old familiar thickening in my throat, the hot, salty heaviness of unspoken anger rising up in my eyes. Itâs weakness, and I hate myself for feeling it, but I canât make it stop. âWhy do you always have to do that?â
He glares at me with disgust. âI didnât even grab you that hard.â
âThatâs not what Iâm talking about.â I glance at the door and try to ignore the stench of cheap perfume, but itâs so strong now that it makes me want to puke. âMom wasnât like that.â
âNo,â he says. âShe wasnât.â
âThen why do you always do this?â
Dad sits down on the side of the bed and rubs his face with his hands. He doesnât seem to know what to say, and for once itâs actually comforting. Finally he looks up, stretching out his cheeks as he glances at me, and draws in a deep breath. âBilly . . .â
âForget it,â I say, and head for the door. âIâm leaving.â
âJust hang on, kid, okay?â
âIâve got homework,â I say, not looking back. âIâll call you after I talk to Uncle Roy.â
And I step out into the cold air, where my lungs start to loosen and Iâm finally able to breathe again.
Thirteen
O N THE BUS BACK TO C ONNAUGHTON, I TRY TO PUT MY thoughts together again. I donât want to think about any of what just happened, but I know if I donât, itâll all keep festering in the back of my mindâDad, the empty bottles in the motel wastebasket, and the women like Rhonda who appear to be drawn to him no matter where he goes. Dad has a penchant for the women who seem least like the woman I remember as my mother. I wish I could hate him for it, but instead it just makes me feel sick and sad. Involving him in all of this was a necessary evil, so in the end