depths of a sofa.
As new guests arrived, they obliged the others to move more deeply into the room. Conversation was sometimes carried on across a sofa or chair back, through the fringes of a lampshade, or above the petals and fronds of the flowers overwhelming their vases.
Habib, to his distress, had become separated from Urbino almost as soon as they had arrived. He was pushed up in an opposite corner against a large armoire that Urbino recognized as having once graced the entrance hall of the Caâ da Capo-Zendrini. Beside him was the gnome-like Marino Polidoro, an art-gallery owner. Habib kept throwing pleading glances from his expressive dark eyes in Urbinoâs direction. Urbino could see no way to liberate him, short of climbing over the furniture and squeezing around the other guests. At any rate, Polidoro was a good person for the young artist to be stranded with on their small island of worn carpet.
âYes, I owe so much to our Barbara!â Frieda was saying yet again as she thrust the plate in front of Urbino. âI would never have known you, Urbino, and not your charming Palazzo Uccello. What happy hours there! So happy! I wished many, many times that you wouldnât come back. Donât misunderstand me, Barbara. I love your little green house. Now it is mine! Mein klein grünhaus ! It has made me a hausfrau for the first time. Every morning I scrub off my stoop, on my hands and knees, yes!â
âYou must not overdo it, Frieda dear,â sang out Oriana. âThe Buranelli are very sensitive. Your neighbors might think youâre making fun of them with all your Teutonic energy. They donât care for outsiders. Isnât that true, Regina?â
âEveryone loves Frieda,â Regina Bella said.
Her face was somewhat drawn tonight. The green shade of her well-cut dress made her look sallow even while it did the best for her full figure.
âBut if anything is stolen, you can be sure sheâll be the first to be blamed,â Oriana said.
She drank down the rest of her champagne as if it were water and dangled her hand over the back of the sofa.
âWe have very little crime on Burano,â Bella said. She snuffed out her cigarette in the Murano ashtray with more force than was necessary. âWhere would someone run away to?â She gave a nervous little laugh. âFrom time to time a rape, but they catch the person right away.â
âI remember a murder and suicide some years ago,â Oriana prodded.
Bella glared at her.
âA sad affair. A woman killed her mother over some dispute about a granddaughter. Then she killed herself. But she was part Sardinian.â
âYes!â Oriana exclaimed, pushing her oblong glasses further up her nose. âYou see how Regina tells us that the murderer was not a Buranella! Probably the murdererâs great-great-greatgrandfather came from Sardinia back in the days of Garibaldi, and no one ever forgot it.â
âExcuse me,â Bella said. âIâd like to speak with Marino Polidoro.â
âHold your breath, my dear, and squeeze through,â Oriana said.
Bella frowned as she moved away.
âWas this local murder one of your detective affairs, Urbino?â Frieda asked. âBarbara told me about your brave adventures.â
âBravery has very little to do with them.â
âUrbino is driven by curiosity and goodwill,â the Contessa clarified.
âBut many times it is brave to be curious, yes? And good will can be the exact opposite for the criminal. You had something to do with the Sardinian woman?â
âNot at all. As Regina said, it was a sad affair that was only too obvious in its tragedy.â
âYou are not interested in the obvious?â
âWhat happened needed no further explanation, even if I had been so inclined.â
âAnd of course you need to give your main efforts to your books. I understand that.â
âYou are a