ham sandwich.”
“What’s wrong with it?” inquired Parker.
“Nothing. It appears to be in astonishingly good preservation, thanks to this admirable oak tree. The stalwart oak—for so many centuries Britain’s bulwark against the invader! Heart of oak are our ships—not hearts, by the way, as it is usually misquoted. But I am puzzled by the incongruity between the sandwich and the rest of the outfit.”
“It’s an ordinary ham sandwich, isn’t it?”
“Oh, gods of the wine-flask and the board, how long? how long?—it is a ham sandwich, Goth, but not an ordinary one. Never did it see Lyons’ kitchen, or the counter of the multiple store or the delicatessen shop in the back street. The pig that was sacrificed to make this dainty tidbit fattened in no dull style, never knew the daily ration of pig-wash or the not unmixed rapture of the domestic garbage-pail. Observe the hard texture, the deep brownish tint of the lean; the rich fat, yellow as a Chinaman’s cheek; the dark spot where the black treacle cure has soaked in, to make a dish fit to lure Zeus from Olympus. And tell me, man of no discrimination and worthy to be fed on boiled cod all the year round, tell me how it comes that your little waitress and her railway clerk come down to Epping Forest to regale themselves on sandwiches made from coal-black, treacle-cured Bradenham ham, which long ago ran as a young wild boar about the woodlands, till death translated it to an incorruptible and more glorious body? I may add that it costs about 3 s . a pound uncooked—an argument which you will allow to be weighty.”
“That’s odd, certainly,” said Parker. “I imagine that only rich people—”
“Only rich people or people who understand eating as a fine art,” said Wimsey. “The two classes are by no means identical, though they occasionally overlap.”
“It may be very important,” said Parker, wrapping the exhibits up carefully. “We’d better go along now and see the body.”
The examination was not a very pleasant matter, for the weather had been damp and warm and there had certainly been weasels. In fact, after a brief glance, Wimsey left the two policemen to carry on alone, and devoted his attention to the dead girl’s handbag. He glanced through the letter from Evelyn Gotobed (now Evelyn Cropper)—and noted down the Canadian address. He turned the cutting of his own advertisement out of an inner compartment, and remained for some time in consideration of the £5 note which lay, folded up, side by side with a 10 s . Treasury note, 7 s . 8 d. in silver and copper, a latch-key and a powder compact.
“You’re having this note traced, Walmisley, I suppose?”
“Oh, yes, my lord, certainly.”
“And the latch-key, I imagine, belongs to the girl’s lodgings.”
“No doubt it does. We have asked her landlady to come and identify the body. Not that there’s any doubt about it, but just as a matter of routine. She may give us some help. Ah!”—the Superintendent peered out of the mortuary door—“I think this must be the lady.”
The stout and motherly woman who emerged from a taxi in charge of a youthful policeman, identified the body without difficulty, and amid many sobs, as that of Bertha Gotobed. “Such a nice young lady,” she mourned. “What a terrible thing, oh, dear! who would go to do a thing like that? I’ve been in such a state of worriment ever since she didn’t come home last Wednesday. I’m sure many’s the time I’ve said to myself I wished I’d had my tongue cut out before I ever showed her that wicked advertisement. Ah, I see you’ve got it there, sir. A dreadful thing it is that people should be luring young girls away with stories about something to their advantage. A sinful old devil—calling himself a lawyer, too! When she didn’t come back and didn’t come back I wrote to the wretch, telling him I was on his track and was coming round to have the law on him as sure as my name’s Dorcas
Dan Bigley, Debra McKinney