Isobel Barton, but I had little else on my plate except an appearance in court the following day on behalf of an insurance firm, another case I had taken for the money and to pass the time.
If there was a connection between the disappearance of Catherine Demeter and Sonny Ferrera, then she was almost certainly in trouble. If Sonny had been involved in the killing of Fat Ollie Watts, it was clear that he was going off the rails.
“I’ll give it a few days,” I said. “As a favor,” I added. “Do you want to know my rates?”
She was already writing a check, drawn on her private account and not that of the trust. “Here’s three thousand dollars in advance and this is my card. My private number is on the back.”
She moved her chair forward. “Now, what else do you need to know?”
That evening, I had dinner at River on Amsterdam Avenue, close to Seventieth Street, where the classic beef made it the best Vietnamese in town and where the staff moved by so softly that it was like being waited on by shadows or passing breezes. I watched a young couple at a nearby table intertwining their hands, running their fingers over each other’s knuckles and fingertips, tracing delicate circles in their palms, then gripping their hands together and pressing the heel of each hand forcefully against the other. And as they simulated their lovemaking, a waitress drifted by and smiled knowingly at me as I watched.
6
T HE DAY AFTER I visited Isobel Barton, I made a brief visit to court in connection with the insurance case. A claim had been made against a phone company by a contracted electrician, who said he had fallen down a hole in the road while examining underground cables and was no longer able to work as a result.
He may not have been able to work, but he had still been able to power lift five hundred pounds in a cash contest in a Boston gymnasium. I had used a palm-size Panasonic video camera to capture his moment of glory. The insurance company presented the evidence to a judge, who suspended any further decision on the matter for one week. I didn’t even have to give evidence. Afterward I had coffee in a diner and read the paper before heading over to Pete Hayes’s old gym in Tribeca.
I knew Stephen Barton worked out there sometimes. If his girlfriend had disappeared, then there was a strong possibility that Barton might know where she had gone or, equally important, why. I remembered him vaguely as a strong, Nordic-looking type, his body obscenely pumped from steroid use. He was in his late twenties but the combination of training and tanning salons had worn his face to the consistency of old leather, adding at least ten years to his age.
As artists and Wall Street lawyers had started moving into the Tribeca area, attracted by loft space in the cast iron and masonry buildings, Pete’s gym had moved upmarket, filling what used to be a spit and sawdust place with mirrors and potted palms and, sacrilege upon sacrilege, a juice bar. Now heavyweight boneheads and serious power lifters worked out alongside accountants with paunches and female executives with power-dress business suits and cell phones. The bulletin board at the door advertised something called “spinning,” which involved sitting on a bike for an hour and sweating yourself into a red agony. Ten years ago, even the suggestion that the gym might be used for such a purpose would have caused Pete’s regular clientele to bust the place up.
A wholesome-looking blonde in a gray leotard buzzed me into Pete’s office, the last bastion of what the gym had once been. Old posters advertising power lifting competitions and Mr. Universe shows shared wall space with pictures of Pete alongside Steve Reeves, Joe Weider, and, oddly, the wrestler Hulk Hogan. Bodybuilding trophies sat in a glass-fronted cabinet while behind a battered pine desk sat Pete himself, his muscles slackening in old age but still a powerful, impressive figure, his salt-and-pepper hair cut