F Is for Fugitive by Sue Grafton Page B

delayed.
    Jack Clemson had been leaning against the wall in murmured conversation with the attorney next to him. As the time approached for Bailey's case to be called, he broke away and crossed the room.
    "FREEZE!" he yelled. "Everybody just hold it right there."
    He fired once, apparently to make his point. The boom from the gun was deafening and the blast took one of the overhead lights right off its chain and sent it crashing to the floor. Shattered glass rained down like a cloudburst, and people screamed and scrambled for cover. A baby started shrieking. Everybody hit the floor, including me. Bailey's father was still sitting upright, immobilized by surprise. I reached up and grabbed him by the shirt front. I pulled him down to the floor with me, sheltering him with my body weight. He struggled, trying to get up, but in his condition it didn't take much to subdue him. I glanced over in time to see one of the deputies belly-crawl up the aisle to my right, shielded from the gunman's view by the wooden benches.
    I'd caught a glimpse of the gunman and I could have sworn it was Tap, his hands shaking badly. He seemed too small to be a threat, his entire body tensed by fear. The true menace was the shotgun, with its broad, lethal spray, the indiscriminate destruction if his finger slipped. Any unexpected movement might startle him into firing. Two women on the other side of Royce were burbling hysterically, clinging to one another like lovers.
    "BAILEY, COME ON! GET THE FUCK OUTTA HERE!!" the gunman screamed. His voice broke from fright and I felt a chill as I peered over the seat. It had to be Tap.
    Bailey was transfixed. He stared in disbelief and then he was in motion. He leaped the wooden railing and ran, pounding down the aisle toward the rear door while Tap blasted again. A large framed photograph of the governor jumped off the wall, disintegrating as the pellets ripped through glass, wood frame, and matting in a spray of white. A second round of wails and screams erupted from the crowd. Bailey had disappeared by then. Tap cracked the shotgun and jammed in two more shells as he backed out of the courtroom. I heard running. An outside door slammed and then there were shouts and the sound of shots.
    In the courtroom, there was chaos. The clerk and the court reporter were nowhere to be seen and I could only guess that the judge had made his way out of the room at floor level, crawling on his hands and knees. Once the immediate threat was gone, people surged forward in a panic, shoving toward the bench, pushing through to the safety of the judge's chambers beyond. Pearl was hustling his son and daughter-in-law out the fire exit, setting off an alarm bell that clanged at a piercing pitch.
    More screams sounded from the corridor, where someone was shouting incomprehensibly. I headed in that direction, bent double until I could get a sense of what was happening. If more gunfire broke out, I didn't want to get caught by flying bullets. I passed a woman bleeding badly from the glass shards that had cut into her face. Someone was already applying pressure to the worst of her wounds, while beside her, two little children huddled together and wept. I reached the rear door and pushed out. Shana Timberlake was leaning against the wall to my left, her face blanched, the shadows under her eyes as emphatic as stage makeup.
    Outside, police sirens were already spiraling against the morning air.
    Through the big plate-glass walls that formed one side of the corridor, I could see uniformed police officers spilling down the steps into the courtyard outside. Several women screamed in continuous shrill tones, as if the shooting had unleashed years of suppressed anguish. The jam of hysterical people in the hallway surged forward and then parted abruptly.
    Tap Granger lay on his back, his arms flung out like he was taking a sunbath. The red ski mask had been pulled back off his face and it rested on the back of his head, as flabby as a rooster's