me out. I felt the house crammed as usual, the usual pack, but saw no one. I imagined them in their various rooms, all bolts drawn, every sense on the alert. Then the rush to the window, each holding back a little, hidden by the curtain, at the sound of the street door closing behind me, I should have left it open. Then the doors fly open and out they pour, men,women and children, and the voices, the sighs, the smiles, the hands, the keys in the hands, the blessed relief, the precautions rehearsed, if this then that, but if that then this, all clear and joy in every heart, come let's eat, the fumigation can wait. All imagination to be sure, I was already on my way, things may have passed quite differently, but who cares how things pass, provided they pass. All those lips that had kissed me, those hearts that had loved me (it is with the heart one loves, is it not, or am I confusing it with something else?), those hands that had played with mine and those minds that had almost made their own of me! Humans are truly strange. Poor Papa, a nice mug he must have felt that day if he could see me, see us, a nice mug on my account I mean. Unless in his great disembodied wisdom he saw further than his son whose corpse was not yet quite up to scratch.
But to pass on to less melancholy matters, the name of the woman with whom I was soon to be united was Lulu. So at least she assured me and I can't see what interest she could have had in lying to me, on this score. Of course one can never tell. She also disclosed her family name, but I've forgotten it. I should have made a note of it, on a piece of paper, I hate forgetting a proper name. I met her on a bench, on the bank of the canal, one of the canals, for our town boasts two, though I never knew which was which. It was a well situated bench, backed by a mound of solid earth and garbage, so that my rear was covered. My flanks too, partially, thanks to a pair of venerable trees, more than venerable, dead, at either end of the bench. It was no doubt thesetrees one fine day, aripple with all their foliage, that had sown the idea of a bench, in someone's fancy. To the fore, a few yards away, flowed the canal, if canals flow, don't ask me, so that from that quarter too the risk of surprise was small. And yet she surprised me. I lay stretched out, the night being warm, gazing up through the bare boughs interlocking high above me, where the trees clung together for support, and through the drifting cloud, at a patch of starry sky as it came and went. Shove up, she said. My first movement was to go, but my fatigue, and my having nowhere to go, dissuaded me from acting on it. So I drew back my feet a little way and she sat. Nothing more passed between us that evening and she soon took herself off, without another word. All she had done was sing, sotto voce , as to herself, and without the words fortunately, some old folk songs, and so disjointedly, skipping from one to another and finishing none, that even I found it strange. The voice, though out of tune, was not unpleasant. It breathed of a soul too soon wearied ever to conclude, that perhaps least arse-aching soul of all. The bench itself was soon more than she could bear and as for me, one look had been enough for her. Whereas in reality she was a most tenacious woman. She came back next day and the day after and all went off more or less as before. Perhaps a few words were exchanged. The next day it was raining and I felt in security. Wrong again. I asked her if she was resolved to disturb me every evening. I disturb you? she said. I felt her eyes on me. They can't have seen much, two eyelids at the most, with a hint of nose and brow, darkly, because of the dark. I thought we were easy, shesaid. You disturb me, I said, I can't stretch out with you there. The collar of my greatcoat was over my mouth and yet she heard me. Must you stretch out? she said. The mistake one makes is to speak to people. You have only to put your feet on my knees,