meticulous in the work.
Identifying a place on one sleeve that badly needed repair, Kira moved that section of the robe into the frame, which held it taut. Then, carefully, using the delicate cutting tools she had been given, Kira snipped away the frayed threads. There was a small stain across an intricately threaded flower in shades of gold, part of a landscape that portrayed rows of tall sunflowers near a pale green stream. Someone long ago — someone skilled in the art — had made the stream appear to flow by stitching white curving lines that gave a sense of foam. How gifted the earlier threader had been! But those stained threads would need to be replaced.
The work was painstakingly slow. Her mother, though her fingers had not had the almost-magical knowledge that Kira's had, would have been more experienced, more deft, and faster.
She held the new gold threads to the window and examined the subtle shifts in hue, choosing just the right ones for the repair.
When the late afternoon light began to dim, Kira stopped work. She looked at the few inches in the frame, assessing what she had accomplished, and decided that she was doing well. Her mother would have been pleased. Jamison would be pleased. She hoped that when the time came to don the Robe, the Singer would be satisfied as well.
But her fingers ached. Kira rubbed them and sighed. This was not at all the same as her own threadings, the small pieces she had done throughout her childhood. It was certainly not like the special one that had begun to move of its own volition in her hand beside her mother's deathbed, to twist and mix the threads in ways she had never learned, to form patterns she had never seen. Her hands had never tired then.
Thinking of that special scrap, Kira went to the carved box, unfolded the bit of cloth, and put it in her pocket. It felt familiar and welcome there, as if a friend had come to visit.
It was almost time for her evening meal to be brought. Kira covered the spread-out robe with a plain cloth to protect it. Then she went along the corridor and knocked on Thomas's door.
The young carver was also just finishing his work. When he called "Come in!" Kira entered and saw that he was wiping the blades of his tools and putting them away. The long staff lay across his worktable, held in a clamp. He smiled when he saw her. They had begun to eat their evening meal together each night.
"Listen," Thomas said, and pointed to his windows. She could hear noise coming from the central plaza below. Her own room, facing the forest, was always quiet.
"What's happening?"
"Take a look. They're preparing for a hunt tomorrow."
Kira moved to the window and looked down. Below, the men were gathering for the distribution of weapons. Hunts always began early in the morning; the men left the village before sunrise. But this was preparation. Kira could see that doors had been opened in an outbuilding beside the Council Edifice, and from the storage place long spears were being brought and placed in piles in the center of the plaza.
Men were lifting the spears, testing the weight, looking for the one that felt right. There were arguments. She saw two men with their hands grasping the same spearshaft, each determined to hold on. They were yelling at each other.
In the midst of the noisy chaos, Kira saw a small figure dart in among the men and grab a spear. No one else seemed to notice. They were all absorbed with themselves, shoving and pushing. She saw that one man was already bloodied from a spear point, and it was clear that others would be injured before the disorganized distribution was complete. No one paid any attention to the boy. From her place in the window, Kira watched as the figure, holding an undisputed spear, moved triumphantly to the side of the crowd. A dog scampered by his bare feet.
"It's Matt!" Kira cried in dismay. "He's just a tyke, Thomas! He's much too young for a hunt!" When Thomas came to the window, she pointed. He