her. She sits among the boxes and the bags and for the first time—through the
cloud of rage and panic—Tom sees what his father is taking with him.
A multitude, an ocean of things. The girl is sitting on loot, on things
taken—she rides high on the surf of things taken. The loaded wagon material proof
of the old man’s departure. Tom cannot understand how it has come to this. Two
weeks and a lifetime has been undone. He watches his father. The old man circles the
wagon. He tests the ropes. The loading is almost done. He takes out his silver watch and
checks the dial.
The old man is the same by most known measures. Remote, imperious,
unknowable: the same as before. And yet the old man is entirely changed. Despite the
disorder in his head, Tom understands something new about his father: that he is a man
made visible by means of a backdrop. His father is a shape cut out against a landscape
he has personally dominated and formed.
The shape is still the same. It is the backdrop that has gone, and with it
everything that makes the man himself. Tom can hardly recognize his father. He cannot
see him in the same way, especially now, now that he is leaving, now that he is already
parted, has parted himself, from the land and property. It cannot only be Tom. Others
must see him differently. A man in bad fortune. His dreams for the future looking
foolish. A man without money, which is also ridiculous.
Tom does not know if his father is aware of how he
looks. He does not think he cares. His father has been preoccupied. He has stayed to his
study. Looking at papers, laying out maps, writing down figures. The old man making
midnight telephone calls, the conversations muffled by the house’s thick walls so
that Tom did not hear the matters being discussed. Although he eavesdropped carefully,
diligently.
There was more: the departure of the three men, the day the ash stopped
falling. Who left with promises of their return and the strong smell of brilliantine.
That afternoon the girl crawled out from her room. She did not look like herself. She
was pale and even thinner but the difference was in her eyes. Which had fallen back into
her head. She was watching things from a distance, measurably greater than before.
There were other differences. The girl now stayed close to the old man.
She was with him all the time. She sat inches away from him at dinner, fork clanging at
his plate, fingers reaching for his elbow. The girl standing between the father and the
son. Like she wasthe physical
manifestation of the barrier Tom had often tried to deny, but that had always
existed between them. As if she were now the guardian of that distance. Tom saw her
sitting by the old man’s side. He saw her lift up her face to look at him.
They might have shared blood. The girl the old man’s daughter. The
girl the old man’s son, as he might have been, the girl the old man himself. They
would stay together. One and one being two. One and one and one on the other
hand—it did not add up. Tom did not fit in. In the house therewas sunlight and dust so thick it made patterns in the air. He passed the old
man’s study, he saw the girl and the old man sitting side by side. Neither looked
up.
Later, he came upon the girl alone. He stopped and she stopped, too. He
looked down at her hand, it was hard for him to look her in the face. She was still
wearing his mother’s engagement ring. He shook his head in confusion and looked
up. Now at her face, which had been wiped blank. She knitted her brow as she looked at
him.
“What has happened?”
He intended to sound firm. As if he had some purchase on the situation. He
was aware of how close she stood. The fetid smell of her hair.
She shook her head. She had never liked Tom. And they had wanted her to
marry him. They had believed this was the solution. Her eyes widened. Briefly. An
instant later they receded and she