his arms, saying only, âSt Catharine, slightly heavier,â and Michael followed respectfully.
The vestry smelled of paraffin and chrysanthemums. Two walls were lined with cupboards, and chairs were stacked in one corner. The only other door must lead outside, back towards the vicarage, Michael thought. From a large cardboard box on the floor with âWaste paper for Afghanistanâ written on its side in black marker, Gordon Brookes drew a couple of magazines. He spread them over the centre of the table. Without smiling he placed the figures on top of them. Gordon Brookes then tipped his head on one side and gazed at them sentimentally, and it seemed sensible to Michael to do the same. The St Catharine sat on her magazine, partly obliterating the cover photograph of a middle-aged man standing on a rock on the edge of a lake looking through binoculars. The white, sweet-faced Saint Catharine, her eyes cast graciously downwards, was apparently reading the headline âWhale watching in Manitobaâ. Michael smiled, and Gordon Brookes smiled too.
âLovely, arenât they?â he said, quite kindly. Michael got his notebook and magnifying glass out of his backpack and put on a pair of spectacles. But he did not sit down, feeling that the most delicate of transactions was being conducted and that even one off-balance move, one over-zealous gesture on his part, would cause the whole fragile bargain to collapse. Gordon Brookes took a step back. Michael smiled at the figures again and then looked at Gordon.
âCarry on,â Gordon said, pulling off the gloves and handing them to Michael. âIâm no expert so Iâll leave you to get on with it. Iâm assuming you know how to handle them.â
Michael almost burst into song. âRight! Thatâs terribly good of you. I do appreciate it. Itâs a marvellous opportunity.â He sat down at the table and squinted purposefully at the figures, wrinkling his nose. Gordon Brookes did not leave. Michael looked at him with the gentlest smile of dismissal he could manage.
âIâll be fine, now. Thanks so much,â he said.
âRight. Well, Iâll let you get on, while I just potter.â So that was what he meant by leaving him to get on with it. Get on with it, but Iâll be right here behind you. In the same room. I am not going to leave. Michaelâs face twitched behind his glasses. How was he going to manage the amount of bluffing that would now be required? He could drop out of the whole thing, just look at the figures and go. But how could he even think of leaving without them, after this much effort? His heart had been thumping in his throat since he arrived. He coughed. He dared not touch the figures in front of Gordon Brookes. He could not trust his hands not to shake.
âDonât let me, er . . . Iâm quite happy here on my own, if youâve got things to do.â
âI gather itâs a study of yours. Have you published?â
âOh no! Oh, you know, the usual problem. Time! Takes so much time, getting anything knocked into proper shape for a publisher. Thatâs life. But I chip away, live in hope. You know.â He turned and looked at the alabaster figures in what he hoped was an informed sort of way.
Gordon turned and started to busy himself with a precarious stack of books and sheets of paper. âChoir. They will leave things higgledy-piggledy,â he murmured. Michael, pretending to consult his notebook, was getting desperate. He had to get Gordon Brookes to leave.
âHonestly, donât let me stop you getting on,â he said. âIâm quite happy on my own for . . . well, I should think twenty minutes should do it. But naturally Iâd prefer you to come back to put them back in their case.â
âYou were ordained when, Jeff?â Gordon asked mildly.
âOh, only in 1996,â Michael replied. âLatecomer.â He would volunteer nothing