Hannah Coulter by Wendell Berry Page A

was war in Heaven once,” as Aunt Fanny would sometimes remind us. But there was something else too.
    The living can’t quit living because the world has turned terrible and people they love and need are killed. They can’t because they don’t. The light that shines in darkness and never goes out calls them on into life. It calls them back again into the great room. It calls them into their bodies and into the world, into whatever the world will require. It calls them into work and pleasure, goodness and beauty, and the company of other loved ones. Little Margaret was calling me into life. A little ahead of me in time still, Nathan would be calling me into life.
    At first, as the months went by, it was shameful to me when I would realize that without my consent, almost without my knowledge, something had made me happy. And then I learned to think, when those times would come, “Well, go ahead. If you’re happy, then be happy.” No big happiness came to me yet, but little happinesses did come, and they came from ordinary pleasures in ordinary things: the baby, sunlight, breezes, animals and birds, daily work, rest when I was tired, food, strands of fog in the hollows early in the morning, butterflies, flowers. The flowers didn’t have to be dahlias and roses either, but just the weeds blooming in the fields, the daisies and the yarrow. I began to trust the world again, not to give me what I wanted, for I saw that it could not be trusted to do that, but to give unforeseen goods and pleasures that I had not thought
to want. And so, unknowingly, I was being prepared for Nathan and for my life with him, when that time would come.
    Virgil was missing, and nobody ever found him or learned what happened to him. And the girl I was when I fell in love with him and married him began to be missing too, becoming a memory along with him. I was changing, and the world was changing. I was going on into time, where Virgil no longer was. Now, looking back after so many years, I still can recognize that young couple, I know them well, and I pity them for their lost life. But I am no longer one of them. Those lovers fled away a long time ago.

Part 2

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    Nathan
    I need to tell about my people in their grief. I don’t think grief is something they get over or get away from. In a little community like this it is around us and in us all the time, and we know it. We know that every night, war or no war, there are people lying awake grieving, and every morning there are people waking up to absences that never will be filled. But we shut our mouths and go ahead. How we are is “Fine.” There are always a few who will recite their complaints, but the proper answer to “How are you?” is “Fine.”
    The thing you have most dreaded has happened at last. The worst thing you might have expected has happened, and you didn’t expect it. You have grown old and ill, and most of those you have loved are dead or gone away. Even so:
    â€œHow’re you?”
    â€œFine. How’re you?”
    â€œFine.”
    There is always some shame and fear in this, I think, shame for the terrible selfishness and loneliness of grief, and fear of the difference between your grief and anybody else’s. But this is a kind of courtesy too and a kind of honesty, an unwillingness to act as if loss and grief and suffering are extraordinary. And there is something else: an honoring of the
solitude in which the grief you have to bear will have to be borne. Should you fall on your neighbor’s shoulder and weep in the midst of work? Should you go to the store with tears on your face? No. You are fine.
    And yet the comfort somehow gets passed around: a few words that are never forgotten, a note in the mail, a look, a touch, a pat, a hug, a kind of waiting with, a kind of standing by, to the end. Once in a while we hear it sung out in a hymn, when every throat seems suddenly widened with love and a common