builds upon the history that has gone before. We remember things because they remind us of other events and sensations, and the strength of any given memory is commensurate with the amount of like material it can bind itself to. Our ego identities are raised up by this tower of memory, but when I examine the stones of my memory, I find them strange and alien. I do not know where they came from, or how they came to be lodged in my mind, but time and energy has welded them to the foundation. I was the sum of the history of all those who have been touched by the Chorus, and as my shadow was intent on poisoning me for a long time, a lot of this history was black and vile. Fear, loathing, hate, sexual release.
If a core sample were taken from this pillar of rock, like a geologist examining strata of stone, the bottom layers would be akin to compressed layers of black shale and the topmost layers would be lighter. More porous, like sandstone. In there were untainted memories: Marielle as a child; an auburn-haired woman who I knew without knowing was Detective John Nicols' wife; and cathedrals, lots and lots of cathedrals. St. Mark's in Venice, the Basilica in Rome, the cathedral at Ulm, Sacré-Cœur, Saint-Sulpice, Mont-Saint Michel, Notre-Dame.
And this tiny church, nearly lost in the shadow of the surrounding tenements. Nearly lost in the relentless progress of modernity.
Was it the solemn serenity of this place that I was supposed to See? The glass Christ. The Chorus kaleidoscoped under my pressure, splintering into a rain of colored glass. Some of the shards formed pictures, panels that turned toward me for an instant before shattering again. I stood, and wandered over to the mounted stained-glass panels. Yes, some of those images were here. The north side detailed the Stations of the Cross. But there were subtle differences: the inclusion of extra figures, not typical of the iconography; alchemical symbols, inscribed on clothing and floating in space above characters; and the expressions of the figures weren't as traditionally sorrowful.
Not these, the Chorus sighed. They drifted across the glass, making the white cloaks glow so that the soldiers of Christ became floating ghosts. Not here .
I prowled further, investigating all the tiny niches. The rain in my head had stopped, and the only image left was a Christ figure, floating on the cross, his heart a flaming ball in his chest. Like Dali's hypercube Christ, but without the geometric overtones. The picture was there in my memory, but I couldn't find it in any of the panels.
"Can I help you?" The priest was dressed in gray—pants, jacket, t-shirt—and his white collar seemed more like a nod to couture than a religious vestment. He was a head taller than me, and clearly in shape. The loose cut of the jacket couldn't hide the breadth of his shoulders. His eyes focused on a spot beyond my left shoulder, and his face, though weathered, was calm. His right eye was surprisingly green, a vibrant emerald, in contrast with the empty whiteness in the center of his left. He stood quietly, hands clasped like he was holding a small moth, waiting for me to find my tongue. His hands were harder than his expression. He hadn't always been a priest.
"Salve, Pater," I said. "I am a weary traveler, seeking guidance." Seeking a sign.
"In corde prudentis requiescit sapienti," he said, nodding.
Wisdom lies in the heart of one who has foresight. One of the Old Man's favorite lessons.
The priest had just offered me a countersign to my mention of "traveler."
"I have lost my faith, Father," I said, as the Chorus swirled in response to his phrase. It wasn't the church itself I was here to see, but the man inside it. "I wonder if you might have a place where a frater such as myself could pray, where I might receive such wisdom."
"Of course," he nodded, acknowledging my recognition of his countersign. "I have a private study. Let us adjourn there. Please, follow me."
He led me to a narrow
Jessica Brooke, Ella Brooke