Forties, as he noted, but has just lately seen its cathedral glories restored. We’d head down to the East Village for a poetry reading (how he’d laugh), and to one of the new galleries in Chelsea, and then to dinner in a little Vietnamese restaurant on Carmine Street (“Any
clams
in this?” he’d ask, warily regarding his first course). Or else we could eat in that evening—not attend, in his phrase—but nevertheless sense the amazing range of choices available around us. Every “enormous and violent and wonderful” event here is still optional, even when the option is passed up.
That night, I’ll leave my old copy of
Here Is New York
, (with its inscription: “Rog: Read all about it!—Andy”) at his bedside, suspecting that if he picks it up and lets himself read it once again he may sense that each new embodiment of this great and trembling capital has felt wildly out of sync with its recent or distant predecessors, however sweet in memory. Whenhe thinks back to our morning swing through the Park and the faces of the earnest southbound power-walkers and the northbound bikers and runners and swooping skaters, men and women in equal numbers, he will know that this is still a city that calls to his “young worshipful beginners” from the Corn Belt or Mississippi. It has never been more difficult or expensive for them to hang on here but they would not be anywhere else, not for the world. Perhaps there are fewer poets and reporters among them, and more filmmakers and MBAs and fashion designers and budding curators, but each has embraced New York with the same intense excitement that brought young E.B. White here (all the way from Mount Vernon, twenty miles to the north) when he was just out of Cornell, and then made him try to hold onto that time in this book, years later, when he was older and had left New York for good. Like the rest of us, he wanted it back again, back the way it was.
Foreword
This piece about New York was written in the summer of 1948 during a hot spell. The reader will find certain observations to be no longer true of the city, owing to the passage of time and the swing of the pendulum. I wrote not only during a heat wave but during a boom. The heat has broken, the boom has broken, and New York is not quite so feverish now as when the piece was written. The Lafayette Hotel, mentioned in passing, has passed despite the mention. But the essential fever of New York has not changed in any particular, and I have not tried to make revisions in the hope of bringing the thing down to date. To bring New York down to date, a man would have to be published with the speed of light—and not even Harper is that quick. I feel that it is the reader’s, not the author’s, duty to bring New York down to date; and I trust it will prove less a duty than a pleasure.
—E.B.W.
Here is New York
On any person who desires such queer prizes, New York will bestow the gift of loneliness and the gift of privacy. It is this largess that accounts for the presence within the city’s walls of a considerable section of the population; for the residents of Manhattan are to a large extent strangers who have pulled up stakes somewhere and come to town, seeking sanctuary or fulfillment or some greater or lesser grail. The capacity to make such dubious gifts is a mysterious quality of New York. It can destroy an individual, or it can fulfill him, depending a good deal on luck. No one should come to New York to live unless he is willing to be lucky.
New York is the concentrate of art and commerce and sport and religion and entertainment and finance, bringing to a single compact arena the gladiator, the evangelist, the promoter, the actor, the trader and the merchant. It carries on its lapel the unexpungeable odor of the long past, so that no matter where you sit in New York you feel the vibrations of great times andtall deeds, of queer people and events and undertakings. I am sitting at the moment in a stifling hotel