the woman who yanked the door open hardly looked as if getting down and dirty were outside the realm of possibility. Gone was the sheath-and-pearls-attired socialite. In her place stood a familiar barefoot woman cladin a threadbare pair of cutoffs and an oversize white shirt, the tails of which had been knotted at her waist over a lipstick-red sports bra. The shirt looked as if it might have belonged to her father, so long were its tails and so bulky its rolled-back cuffs that ended just below her elbows. And her hair was a wild, sun-streaked, flyaway nimbus floating out from beneath the little red triangular bandana sheâd tied behind her head. But it was the ragged threads straggling against her firm, freckled thighs that riveted his attention.
âCan I do something for you, Miglionni, or did you just come up here to stare at my legs?â
He tore his gaze away from the long, smooth, bare expanse. âYou gotta admit, theyâre ogle-worthy,â he said, meeting her eyes. âBelieve it or not, though, I actually did have something to tell youâthose beauties just drove whatever it was clean out of my head.â He didnât plan the grin he flashed her; as with damn near every other time heâd ever been in her company, she drew a reaction from him that was purely spontaneous. âMan, Tori. Iâd forgotten how pretty your legs are. You oughtta wear short shorts more often.â He couldnât stop himself from giving them a final once-over before he made a conscious effort to look elsewhere. No sense giving her any more opportunities to accuse him of sexual harassment.
He glanced past her into the depths of the big open room. A huge worktable, littered with mechanical pencils and blueprints, wood scraps and piles of fabric, stood down near the end of the room. In the midst of the chaos stood two little houses about three feet tall. One was made of balsa wood and was fairly plain, but the other looked very elaborate. Deep shelves behind the table heldseveral other balsa models and one stone one, each in a different style. âWhoa. Are those yours?â
âYes.â
She relinquished her position blocking the door when he stepped forward and he strode past her, crossing to the table. He saw that the models on the table had an open back and, bending down, he checked out the interior of the ornate one before glancing up at her. âWhat is this, a dollhouse?â
âYes.â
He indicated the other. âAnd this one?â
âItâs the prototype.â
âAnd you made both of them?â He tipped his chin to include the other prototypes on the shelves. âYou made all of these?â
âYes.â
âWow.â He gave the one still in progress a more thorough inspection. âI canât believe the attention to detail. Itâs perfect.â It had gingerbread shingles on the roof, a wraparound porch with spindle railings, two balconies and a bay window. Each room was fully realized, from window seats and the tiny oak paneling forming the wainscoting in the parlor, to the old-fashioned wallpaper and white porcelain pedestal sink in the upstairs bathroom. He flipped a switch on a little metal box he saw sitting on the table next to the dollhouse, and minuscule lights within the model came on. Laughter rolled out of his chest. âThis is so cool.â
Victoria blinked as she watched Rocket circle the table to investigate the other models on the shelves. He possessed such bedrock masculinity that she would have thought heâd find her dollhouses too sissy for his considerationâor at least dismiss them with no more than a cursory glance.Instead he seemed fascinated. When he came to the stone castle and glanced over his shoulder at her, his dark eyes all but shot sparks of pure, engaged interest.
âThis oneâs different. Itâs more like a guyâs dollhouse.â
A laugh escaped her. âGood call. I made it for a
John Nest, You The Reader, Overus