studio with Jack Endino to record a seven-inch for C/Z ⦠One of these tracks ended up on the Teriyaki Asthma compilation (also with Nirvana). So when Nirvana were heading down to San Francisco for the first time, Poneman asked us to put together a gig at an appropriate venue ⦠so we booked it at the only place we could; the Country & Western saloon. We also gave them a place to crash at George [MillerâAmorphous Head guitarist]âs houseâGeorge suspected they were some kind of weirdo Christians ⦠I have no idea where this came from.
SHAMBIE SINGER: Theyâd put out the single âBig Cheeseâ/âLove Buzz.â Loved it. Especially their version of âLove Buzz.â Think a chick named Shannon who was a DJ at WOZQ [Smith College] played it for me one afternoon when I was hanging around the station.
Sub Pop made the call that Nirvanaâs cover of Shocking Blueâs song âLove Buzzâ should be the A-side for the single. The decision made perfect sense; it was the most pop-oriented song Nirvana possessed, and the provenance of the song was a talking point for musos.
GEORGE SMITH: At that show I remember them playing âLove Buzzâ and being very taken by that song, a little piece of the crowd thinking, Hey, these guys are pretty good â¦
LINDSEY THRASHER, Vomit Launch: I really liked them because they covered âLove Buzzâ and Iâm a Shocking Blue fan and had never heard anyone cover that song ⦠I remember telling Kurt how much I loved âLove Buzzâ ⦠They played with Tad in Chico once and I asked him to please play âLove Buzz,â which they were going to do anyway.
The single wasnât just Nirvanaâs first release. More important to Sub Pop, it was the inauguration of the Sub Pop Singles Club, a series aimed at collectors that quickly needed to secure an audience so the label could gather sorely needed member feesâwhich is why Sub Pop was so particular about the release, insisting on a particular song and sending Cobain back to the studio to rerecord vocals.
SCOTT VANDERPOOL: I do remember thinking it somewhat brilliant theyâd covered that obscure Shocking Blue song ⦠Managed to hang on to a test pressing of âLove Buzzâ that Jon gave me to play at KCMU ⦠sold it on eBay about ten years ago during some financially tough times ⦠got quite a lot for it, which sort of made up for Sub Pop never paying me my sales commission.
It was a first vindication of Nirvanaâs efforts, tooâsomething they marked with a pointed joke.
RYAN AIGNER: Youâve seen the âLove Buzzâ/âBig Cheeseâ single? Have you noticed the inscription on the vinyl? Around the label it says âWhy donât you trade those guitars for shovels?â That quote happened during a rehearsal with Robert Novoselic, myself, and a friend called Brett Walker. We were at Kristâs house; weâd gotten together after school ⦠trying to rehearse and learn some cover songs. Krist came home, came upstairs, listened to what we doing, and gave us his opinion about what was going on, helped us outâshowed us some guitar leads he knewâthen Krist and Robertâs father came home. He was a construction worker and he wasnât happy about this noise, so he came upstairs to the boysâ bedroom, forced the door open. He was yelling. Krist was yelling back, âAw, leave them alone! Theyâre just kids, you know!â Finally they let him in. We didnât know him well; we introduced ourselves and let him know who we were. And he says with a frown on his face, âYou kids, why donât you kids go sell those goddamn guitars and buy something useful like shovels or something?â Thatâs where the quote came fromâmany years later, the story had a mythological life-span and kept coming up. They found it pretty funny so they