In for the Kill by John Lutz Page A

moved across the room to where Florence's obvious Prada knockoff purse lay on a table near the door. Fedderman and the uniform, who were standing nearby, glanced at her, then moved away to give her room. They were still conversing in low tones. Pearl heard Fedderman say something about an Italian restaurant where the two men used to eat, asking if the place was still in business.
    Good investigating, Feds. You're sure to come away with something.
    She caught the same tech's eye and pointed to the purse. He nodded, then ignored her as thoroughly as did Fedderman and the uniform.
    Pearl carefully unzipped the purse and began examining its contents: wadded tissue; a small folding umbrella that didn't look as if it could be more than a foot in diameter when opened; loose change; a tiny round mirror; comb; lipstick; wrapped condom (Florence living in hope?); half a box of lemon-flavored cough drops; and a bulging red leather wallet.
    It continued to bother Pearl that this victim wasn't in her thirties, like the other victims, and she wouldn't be regarded as a beauty. She'd died simply because of her last initial. And Quinn was right; there were lots of younger, more attractive brunettes whose last names began with the letter N , so why Florence?
    Pearl decided to look through Florence's wallet.
    She withdrew it carefully from the purse, then opened it.
    Lots of credit cards, way too many. Pearl wondered what the dead woman had owed on them combined. Or did she merely carry the extra cards as backup, as many women did? A plastic security blanket. Or were they in her wallet simply to make her feel richer?
    The bills in the wallet added up to twenty-seven dollars. An old theater stub from a play called I Love You, You're Perfect, Now Change was stuffed in among them. There were no photos, but there was a New York Public Library card, a small plastic calendar from an insurance company, a Metrocard, and a medical insurance card that had been laminated.
    Pearl held the med insurance card up and squinted at it. Florence had belonged to an HMO Pearl had never heard of. Pearl, who was barely insured.
    The card had Florence's account number and the expiration date--six months from now. On the flip side of the card was some general information about the insured. She'd been five-foot-two and would have been forty-four in December. She-—
    Pearl felt a chill on her neck and stood motionless, staring at the card.
    If she hadn't once loved and lived with Quinn, she might not have noticed.
    She returned to the bathroom, carrying the insurance card.
    Quinn was still watching Nift work. Some of the body parts were spread out in the tub now. The head was near the drain. Quinn looked over at Pearl, his face completely without emotion--holding his feelings at bay like the pro he had been and still was. His dreams, the sudden unbidden images, would come later.
    Fedderman had finished his conversation with the uniform and had come to stand in the bathroom doorway. He was looking over Pearl's shoulder. "Jesus H. Christ," he said softly, staring at what was in the tub.
    "I guess He's here someplace," Nift said, still leaning over the tub, his voice echoing faintly against porcelain. "You want I should call Him?"
    "We want you should go see him personally," Pearl said.
    She handed Quinn Florence's medical insurance card.
    He glanced at it, then looked inquisitively at her.
    "The victim's date of birth," Pearl said. "December fourth. The same as yours."
    That caused Nift to pause in what he was doing. Pearl instantly regretted having told Quinn about this in his presence.
    Nift turned only his head. "You and the victim shared a birthday?"
    "It looks that way," Quinn said.
    "That's why the killer couldn't be so particular about looks," Nift said. "He wanted one with your birthday and the last initial N. That's why he killed such a dog."
    Pearl couldn't hold it in. "You little asshole!"
    Quinn gripped her shoulders, pulling her away from Nift, out of the