degrees.
Zlatanâs legs stretch out on the floor. Because heâs the only one talking it sounds like heâs raising his voice.
Carpenter turns to deal with him, the mole on his face moving with the twitch of his cheek.
He stumbles over Zlatanâs shoes. Thereâs a burst of laughter from all of the other children.
The laughter should diffuse the tension, but it doesnât.
Zlatan opens his mouth and looks over to me.
I want to move. Get over and make him safe.
Carpenter raises his arm. Brings it down in an arc and sends his hand in Zlatanâs direction.
I hear a sharp, crisp clap.
Zlatan falls back and puts his arms down to stop himself falling all the way. Soon as he can he rights himself. Crosses his legs and folds his arms like he knows the good kids do. Doesnât even touch his face, the poor kid. Just lets the tears well up in his eyes and spill onto the floor.
Itâs like Carpenterâs performed some magic. Everythingâs silent. Allâs still. The piano starts and thereâs the counting in, the one, two, three and the classes sing as if theyâre performing in a cathedral.
When the songâs over, the next class arrives for their lesson.
We stand, line up and leave the hall.
The weather outside is fine.
The line follows me like itâs not done since the first day, in perfect formation.
Aurora has my hand. She looks up at me and her always pale skin seems bleached of colour. âThat man hit Zlatan.â Itâs the longest sentence Iâve heard from her. I should be excited. Instead I want to put it back.
âYou carry on Aurora,â I tell her, letting go of her hand and pointing the way I want her to go.
I peel away from my children and walk over to Daphne.
Her eyes are down and sheâs pretending to look for something in her hand-bag, her equivalent of burying her head in the sand.
No way thatâs going to work.
âDid you see it?â I ask her.
She squints at me like she doesnât understand the question, but I see the panic in her eyes.
âDid you see what happened?â
She just looks more worried.
Thereâs a battle inside her head, I know. Itâs her good Christian self struggling against her unwillingness to rock this or any boat.
âHe just hit one of my children.â I didnât want to put the words there in case itâs me that was seeing things, but itâs out and thereâs no going back. âDid you see it?â
She cups her hands over her mouth as if keeping it quiet will make it go away. âYes,â she says and thatâs the moment that I know what I have to do.
the office
In his office, Alistair just sits listening. It would be easy to confuse him with a wise man until the point he opens his mouth. âMmm.â He rubs his chin like some kind of sage. All he needs is a beard.
I look at him, despising the green jumper he wears every day. Wonder if heâs got spares at home or whether itâs just the one.
âSo what are you going to do?â
âItâs serious. Leave it with me and Iâll give it some thought.â
Not good enough. No way Iâm leaving the room without him taking action.
âWe need to tell the parents.â Course we do. All it would take is one parent to pass on the news and all hell would descend on Hampstead. Thatâs what I tell him.
âLeave it with me,â he says again. This time the furrows of his brow wrinkle up like someoneâs ploughed his head. Theyâre the furrows that tell me he means what he says. âYou need to get back to your class.â
I look at my watch. Ten minutes Iâve been here. Ten wasted minutes of my life. âMildredâs watching them,â I say.
âMildred has her own class to look after. I told you Iâll think about it.â
âYou need to inform the parents.â
Alistair stands and opens the door.
âAnd you need to look after your