Light in August by William Faulkner Page A

the bitten shadows of the unwinded maples seem to toss faintly upon the August darkness. From a distance, quite faint though quite clear, he can hear the sonorous waves of massed voices from the church: a sound at once austere and rich, abject and proud, swelling and falling in the quiet summer darkness like a harmonic tide.
    Then he sees a man approaching along the street. On a week night he would have recognised the figure, the shape, the carriage and gait. But on Sunday evening, and with the echo of the phantom hooves still crashing soundlessly in the duskfilled study, he watches quietly the puny, unhorsed figure moving with that precarious and meretricious cleverness of animals balanced on their hinder legs; that cleverness of which the man animal is so fatuously proud and which constantly betrays him by means of natural laws like gravity and ice, and by the very extraneous objects which he has himself invented, like motor cars and furniture in the dark, and the very refuse of his own eating left upon floor or pavement; and he thinks quietly how right the ancients were in making the horse an attribute and symbol of warriors and kings, when he sees the man in the street pass the low sign and turn into his gate and approach the house. He sits forward then, watching the man come up the dark walk toward the dark door; he hears the man stumble heavily at the dark bottom step. “Byron Bunch,” he says. “In town on Sunday night. Byron Bunch in town on Sunday.”

4
    T hey sit facing one another across the desk. The study is lighted now, by a greenshaded reading lamp sitting upon the desk. Hightower sits behind it, in an ancient swivel chair, Byron in a straight chair opposite. Both their faces are just without the direct downward pool of light from the shaded lamp. Through the open window the sound of singing from the distant church comes. Byron talks in a flat, level voice.
    “It was a strange thing. I thought that if there ever was a place where a man would be where the chance to do harm could not have found him, it would have been out there at the mill on a Saturday evening. And with the house burning too, right in my face, you might say. It was like all the time I was eating dinner and I would look up now and then and see that smoke and I would think ‘Well, I wont see a soulout here this evening, anyway. I aint going to be interrupted this evening, at least.’ And then I looked up and there she was, with her face all fixed for smiling and with her mouth all fixed to say his name, when she saw that I wasn’t him. And I never knowed any better than to blab the whole thing.” He grimaces faintly. It is not a smile. His upper lip just lifts momentarily, the movement, even the surface wrinkling, travelling no further and vanishing almost at once. “I never even suspicioned then that what I didn’t know was not the worst of it.”
    “It must have been a strange thing that could keep Byron Bunch in Jefferson over Sunday,” Hightower says. “But she was looking for him. And you helped her to find him. Wasn’t what you did what she wanted, what she had come all the way from Alabama to find?”
    “I reckon I told her, all right, I reckon it aint any question about that. With her watching me, sitting there, swolebellied, watching me with them eyes that a man could not have lied to if he had wanted. And me blabbing on, with that smoke right yonder in plain sight like it was put there to warn me, to make me watch my mouth only I never had the sense to see it.”
    “Oh,” Hightower says. “The house that burned yesterday. But I dont see any connection between——Whose house was it? I saw the smoke, myself, and I asked a passing negro, but he didn’t know.”
    “That old Burden house,” Byron says. He looks at the other. They look at one another. Hightower is a tall man, and he was thin once. But he is not thin now. His skin is the color of flour sacking and his upper body in shape is like a looselyfilled sack