so,â I said. âIâm looking forward to meeting the doctor.â
9
He buzzed from the gate and, guessing he wasnât on foot, I pressed the panel that said âMain gateâ and let him in. He swung his green BMW inside and came bouncing up the path carrying a brown bag. He was small and dark, Lebanese maybe, or perhaps from the subcontinent. Late thirtiesâaround thereâbald head, clipped moustache, summer-weight light fawn suit with matching accessories. He barely acknowledged me and went straight to Sammy who had slumped down a bit and wasnât looking as good as she had a few minutes before. The cigarettes and lighter were nowhere to be seen.
âI cut myself, doctor,â she said faintly. âAn accident.â
âOf course.â Cross had a mid-everywhere sort of accent and deft hands. He raised the wounded arm to a level position and balanced it on his upraised knee. He had the hard knot Iâd tied in the blouse undone in an instant and clicked his tongue as he inspected the gash.
âVery lucky,â he said. âMissing a vein by a fraction.â
âI lost some blood.â
âYes. But not too much I think.â He glanced up at me. âDid you make the tourniquet?â
I nodded.
âToo tight. A danger in itself. If you would get some more damp cloths Iâll sterilise and stitch the wound. No problem.â
Fuck you, Jack,
I thought, but I went for the damp cloths. When I got back the doctor had laid out on a baize cloth an ampoule, a syringe, some alcohol swabs, a fine needle and some sutures. Iâd brought a footstool from Sammyâs bathroom, which I put the wet hand towels down on and stood over him as he crouched beside the padded bench. Sammyâs eyes were closed and her long lashes seemed to almost reach to her cheekbones.
âListen, Dr Cross,â I said. âThis womanâs already injected herself with ⦠Shit, canât you see the puncture?â
Cross took a towel, wiped away some blood and turned his pebble-hard brown eyes up to me. âIâm aware of Mrs Priceâs dependency. Please go away.â
I didnât need asking twice. I planned to have a good look around the house while the opportunity presented. I took off my shoes so as not to tramp blood around unnecessarily and worked my way through the rooms. There was nothing of interest in the sitting or dining rooms or in the study, besides the evidence of money. All the fittings and furniture and equipmentâTVs, VCRs, hi-fi, computerâwere state-of-the-art. The paintings were originals and one was a Brett Whiteley, a small one.
I went quickly through Sammyâs closets and drawers. She had enough clothes to outfit the chorus line of a Hollywood musical and an Imelda Marcosâlike interest in shoes. Her personal papers were few and easily contained in a shallow drawerâI flipped them over with the long blade on my Swiss Army knife without much interest until a photograph of a young blond man came to light. He wore a suit and a slightly embarrassed expression. Jason Jorgensen. It was a polaroid photograph taken indoors without quite enough light. The subject was clearly enough defined while the background was muzzy, but my guess was it had been taken in a motel room.
I barely looked at Martin Priceâs bedroom because there was almost nothing to seeâroutine male stuff. There were a couple of books on marketing and management on a table beside the bed and a copy of Paul Kellyâs
The End of Certainty,
something Iâd bought myself and hadnât got around to reading. Judging by the turned-down page corners, Price was two-thirds through it. A drawer contained a pack of black condoms, some lubricant and a vibrator, all with a thin film of dust. He apparently kept his personal papers in the study and Iâd already found all the drawers in the big, solid desk firmly locked.
On to Danniâs chamber. Unlike the