annoyed with herself. She should never have mentioned her mother. It would only confuse the old man. ‘What do you want to tell me, Daddy?’ she said, more gently.
‘It’s important. I don’t have very long.’
‘That’s nonsense. You’re going to be fine. You just have to try and eat something. I could ask the matron for a sandwich, if you like. I can stay here with you while you have it.’
‘Magnus Pye …’
How extraordinary that he should have spoken that name. Of course he would have known Sir Magnus when he worked at Saxby-on-Avon. He would have treated the whole family. But why mention him now? Was Sir Magnus in some way connected with what had happened, whatever it was that her father wanted to explain? The trouble with dementia was that, as well as leaving huge gaps in the memory, it also jumbled things together. He might be thinking of something that had happened five years ago or five days ago. To him, they were the same.
‘What about Sir Magnus?’ she asked.
‘Who?’
‘Sir Magnus Pye. You mentioned him. There was something you wanted to tell me.’
But the vacant stare was back in his eyes. He had retreated into whatever world it was that he inhabited. Dr Emilia Redwing stayed with him for another twenty minutes but he barely noticed she was there. After that, she exchanged a few words with the matron and left.
She drove home with a nagging sense of worry but by the time she had parked the car, she had put her father out of her mind. Arthur had said that he would cook the supper that night. The two of them would probably watch Life With the Lyons on television and go to bed early. Dr Redwing had already seen the surgery appointments list for the following day and knew that she was going to be busy.
She opened the door and smelled burning. For a moment she was concerned but there was no smoke and the smell was somehow distant, more a memory of a fire than an actual one. She went into the kitchen and found Arthur sitting at the table – slumped there, actually – drinking whisky. He hadn’t even begun to cook the dinner and she knew at once that something was wrong. Arthur did not deal well with disappointment. Without meaning to, he somehow celebrated it. So what had happened? Dr Redwing looked past him and saw a painting, leaning against the wall, the wooden frame charred, the canvas largely eaten away. It was a portrait of a woman. He had clearly painted it – she recognised his style immediately – but it took her a moment or two longer to realise who it was.
‘Lady Pye,’ he muttered, answering her question before she had time to ask it.
‘What’s happened? Where did you find it?’
‘It was on a bonfire near the rose garden … at Pye Hall.’
‘What were you doing there?’
‘I was just walking. I cut through Dingle Dell and there was no one around so I thought I’d stroll through the gardens down to the main road. I don’t know what drew me to it. Maybe it was meant to be.’ He drank some more. He wasn’t drunk. He was using the whisky as a sort of prop. ‘Brent wasn’t around. There was no sign of anyone. Just the bloody painting thrown out with the rest of the trash.’
‘Arthur …’
‘Well, it’s their property. They paid for it. I suppose they can do with it as they want.’
Dr Redwing remembered. Sir Magnus had commissioned the portrait for his wife’s fortieth birthday and she had been grateful at the time, even when she discovered how little Sir Magnus intended to pay. It was a commission. It meant so much to Arthur’s self-esteem and he had set about the work with enthusiasm. He had painted Frances Pye over three sittings in the garden – with Dingle Dell in the background. He hadn’t been given nearly enough time and to begin with Lady Pye had been a reluctant sitter. But even she had been impressed by the result; a portrait that brought out everything that was good in her and which showed her relaxed, half-smiling, in command. Arthur had