screaming, âYou broke my camera. You broke my goddamn camera.â I was pretty sure his hand was broken, too.
I grabbed Picassoâs arms and hustled him into the building, only to run smack into Lieutenant Scott and Detective Jones, who had just finished up inside. Anna was in the process of showing them out. She sucked a breath. Scott and Jones assumed a ready stance. âWhat happened? â she asked.
âOh, just a little dustup out there,â I said. âSome jerk reporter got a little too aggressive.â
Scott and Jones ducked out the door to see for themselves. I grasped Picasso by the shoulders like I had at Conyersâ place. âWhy the hell did you do that? All you had to do was ignore the idiot.â
He turned his head to avoid my eyes. âThat prick had it coming.â
âThatâs not good enough. Youâre under a microscope right now, and youâve just demonstrated to the whole world that you canât control your temper.â As I said that, all my confidence in Picassoâs innocence threatened to bleed away. Had I made a mistake?
âI, umââ
âI donât want to hear it. Now stay here with Doc while I see how much damage youâve done.â To Anna, I said, âTake him into your office and shut the door. Please.â
The media crowd was now knotted around the injured reporter, who held his kicked hand against his chest while clutching the pieces of his shattered camera in his other hand. He was talking to Jones and Scott, who both had their notebooks out. I worked my way through the crowd and introduced myself to the reporter.
âMr. Baxter would like to apologize for his actions. Heâs understandably upset by recent events and sensitive to the memory of his mother.â The reporter looked down at the remains of his camera, and I found myself adding, âHeâll be glad to replace your camera.â I fished a card from my wallet and handed it to him. âCall me, and Iâll arrange it.â I spun on my heels and went back into the clinic, wondering what Iâd just committed to.
It was quiet when I entered Annaâs office, but the look on Picassoâs face told me sheâd been at him, too. I said, âWell, you just bought yourself a broken digital camera.â He started to protest, but I shushed him with a raised hand. âI donât know whether heâs going to press charges or not. Youâd better hope his handâs not broken.â Anna glanced at her watch and excused herself.
Picasso said, âIf Iâd wanted to hurt him, I would have kicked him in the face. I went for his camera. I could tell he had a hard on for it.â
The fluid, graceful move heâd made replayed in my head, and I realized he was telling the truth. âWell, that may be so, but nobody out there knows that. They probably think you tried to kill him and missed. Whereâd you learn to kick like that, anyway?â
âI did a series of paintings for a kickbox studio over in Southeast, on the inside walls. They gave me free lessons in exchange. I was a fast learner. They asked me to stay on and teach.â
âDid you?â
âAnd become a working stiff? No way. I wanted the skill for self-protection. Comes in handy on the streets, you know. Two skin heads jumped me under the I-5 bridge one night.â He smiled and shook his head. âBoy, were they surprised.â
âWell, you need to keep your kickboxing prowess to yourself. Like I said, youâre under a microscope, and the last thing you need is for information like that to get out. Understood?â
The smile dissolved, and he nodded.
Scott and Jones didnât return, which was good news. Anna told me theyâd interviewed her and the staff, then taken a brief look around the clinic. The question of Picassoâs computer didnât come up. It probably didnât occur to them that a homeless youth would