Mexico City Noir by Paco Ignacio Taibo II Page A

with such care were appreciated. Finally, it was the Samaritana’s turn and I noticed my father turning pale. The Judas began to burn on the outside, just like the others, until it was fully singed. Then it exploded into thousands of bits of newspaper and confetti that floated down on the crowd. But this time the paper was drenched in a sticky red substance, with pieces of raw flesh and bone shards mixed in.
    The crowd was horrfied. They shook the bloody bits from their heads and shoulders. Some, mostly women and children, screamed as they ran. Only my father, Don Domitilo Chimal, laughed, then spat: “I told you, puta Matilde!” He was screaming at our mother. “I warned you when I found out you were sleeping with my compadre Melitón that a day would come when I’d tear your heart out! Old cabrona, daughter of the rechingada!”

    VIOLETA ISN’T HERE ANYMORE
    BY M YRIAM L AURINI
    Hipódromo
    Neighbors Cassette. Side A.
July 16, 2007
    [Older people die alone, either from natural causes or because they are killed. The latter happens with such frequency in Mexico City that it is no longer surprising. What does surprise me are these neighbors’ voices in unison, as if they can’t wait for whoever’s talking to finish so they can each tell his or her own story, which made this tape’s transcription that much harder. The following are excerpts of what they said.]
    Violeta didn’t like to talk about her past or her origins. She would insinuate certain things to create different stories. Hers was just one of many stories; there wasn’t anything weird about it, nothing particularly moving or vitriolic.
    All the neighbors knew her: she was born in that same house. Violeta was part of the neighborhood’s Security Commission. As a member of the commission, she was constantly on alert, so that when she saw strangers or odd movements, she’d call the district police. She got along very well with them; in the summer she gave them lemonade, and coffee in the winter.
    When you’re on the commission, you have to reach out to the district to make sure they’ll treat us well. If there was anything scandalous going on in Mexico Park, she’d call the police. If the local representatives allowed music in the park—the kind that rattles your brain—after 10 o’clock at night, she’d call the police.
    Violeta watched out for all of us. It wasn’t just about the petty thieves or the lowlifes who could impact our lives materially but also the psychological damage that could be brought on by such loud noise in the park.
    What does noise from the park have to do with Violeta’s death?
    It’s related to the fact that she had constant contact with the police. They detained Mikel and asked us tons of questions. If she has or had family, it must be distant.
    From what I know, her grandmother was very young when they brought her here from a town in Oaxaca during the time of the revolution. She got pregnant by who knows who and had Jovita, and Jovita repeated the cycle and had Violeta; both of them were born in Mexico City. They never went anywhere to see relatives and no relative ever visited them.
    They came to live here in 1928. Señorita Micaela already had the grandmother on her staff and the girl, Jovita. The gossips said Violeta was really Micaela’s daughter and that’s why she inherited the house.
    If it’s true that she was Micaela’s daughter, then perhaps Violeta might have some first cousins, because Micaela had siblings. According to what my mother told me, the family had money, but for whatever reason, they disowned Micaela and left her with just the house and some rental income. It wasn’t just any house either, but art deco.
    Violeta inherited the house but not the money, so she didn’t have any for food or much else. As soon as Micaela died, they cut off the rental income. It was all very dramatic.
    But Micaela had paid for Violeta’s schooling as if she were part of the family. She went all the way through