Catholic aunties make such nice cakes!â
âShh,â and he smiles. But I tell myself he has come because I did.
I bless myself and cup one hand under the other, holding them forward as the priest makes his way towards me.
âThe Body of Christ.â
âAmen.â
Â
Free on a Sunday is free from training, not free to come and go as you please. We lie on our stomachs on our beds, facing each other and chatting, while others spend hours in queues for one phone call, wash their kit or write letters home.
Just before roll call one of our tent companions, Frikkie, walks in and demands that we clean his boots. We ignore him. Ethan is lying closest to him. Frikkie flings the boots at Ethan. They are tied together and come to rest on either side of his body, with the laces stretched over his naked back. He lifts his body and allows the boots to roll to the floor.
Frikkie walks over and jumps on Ethan, grabs him around the neck and digs his knees into his back. This arouses excited interest from the rest of the guys. I get up protesting, to defend my friend, but itâs not necessary. In an instant Ethan has released himself and flung Frikkie off him, over the side of the bed, where he connects with the ground sheet with a thud, Ethan on top of him. Frikkieâs face is red with surprise, embarrassment and the discomfort of the fall. Ethan holds him down for a second, asks him if he is all right and quietly tells him to clean his own boots. The whistle for roll call sounds . . . somehow less shrill than before.
âHell, Ethan, you sure are full of surprises.â
âI did judo; never really used it. But this is one of the last nights weâre sleeping in the same tent as those guys. I donât think Frikkie has matric, so he wonât be chosen for Infantry School. I reckon heâll be moved out within the next few days.â
We line up for roll call, Ethan next to me. However long it takes tonight for Van der Swart and Vickerman to be called, I donât care. Just standing next to him is enough. Ethan can ask me to leave the army tonight, to risk everything, and I will question nothing; I will obey. In heightened melodrama I fantasise about it.
Â
3
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D onât be a sissy, man.â
âPeet, let him learn in his own time.â
âNo, heâs going to learn now. I donât have time to teach him in
his
time,
our lordship
. How difficult can it be? Nicholas, do you want me to sell the bicycle, hey?â
âNo.â
âI canât hear you. What did you say?â
âFor heavenâs sake, Peet, the child is four years old.â
âNO!â I beg.
âWell then, come. Iâm taking the bicycle to the corner and then you cycle back.â
âNo, itâs too high!â
âIâll hold you.â
âPromise?â
âYes, yes, I promise. Come now. Are you ready?â
âDad, promise you will hold me.â
âYes, I promise, just pedal.â
âNot so fast . . . you arenât holding!â
âPeet, what are you doing? The child canât ride yet, are you mad? HELP, FRANK, CATCH YOUR BROTHER!â
âMOM, PLEASE, PLEASE CATCH ME!â
At the bottom of the rise in the garden is the sandpit where Frank and I play. We have collected bricks to build with. It is in the direction of these bricks that my momentum takes me. By the time the front wheel snags in the sand I have gathered such speed that I summersault over the handlebars, into the bricks. A moment later Frankie and my mother are there. EveryÂbody is shouting. Frank and I are crying. My face is bleeding and there is a deep gash in my knee.
My mother is furious. Some of the wounds are treated at home, but for the others she has to take me for stitches. My father tells me that when he was my age he was not âso scared of everything,â and his parents could not even afford to give him a bicycle. If I want to grow up to be a
Robert J. Sawyer, Stefan Bolz, Ann Christy, Samuel Peralta, Rysa Walker, Lucas Bale, Anthony Vicino, Ernie Lindsey, Carol Davis, Tracy Banghart, Michael Holden, Daniel Arthur Smith, Ernie Luis, Erik Wecks