was a real tie to feel guilty about.
âBut he wasnât just being supported by the rope, was he, Nella?â
âOh, no. Havenât you ever been hanged, Charles?â
âNo. Iâve been decapitated once or twice, and had unspeakable things done to me in
Edward II
, but never actually been hanged.â
âWell, itâs like flying.â
âOh, Iâve done that. On the old Kirby wire.â
âYes. Well, for hanging you wear the same sort of harness, you know, round the torso and under the crutch, and the wire clips on to the shackle in the same way. And the rope, the noose, is run up the wire into the flies.â
âRight.â
âObviously the important thing is to get the relative tension between the rope and the wire right. Itâs got to be the wire that takes the strain, but you canât have the rope too slack or it sags and any illusion you might be creating is destroyed.â
âBut for poor old Gordon it was the rope that took the strain?â
âYes, with the wire slack. I donât know how it happened. It was a terrible accident.â
âYes.â If that was the right word. âWhen did he get in position? Surely he didnât dangle there through the entire Act?â
âNo. Heâd get there about ten minutes before his appearance . . . I forget what the cue was exactly . . . but then either Rick or I would clip on the wire and arrange the noose for him.â
âBut why didnât you notice there was something wrong then?â
âAh, you see, he stood on a chair for that bit, so both the wire and the rope were slack. He only launched himself off on Kathyâs line, âWilhelmina, have you seen Colonel Fripp this afternoon?â That was Tonyâs idea â he reckoned it was more effective if the body was swinging when the audience saw it.â
âSo Gordon was only being throttled for a few minutes?â
âYes, thatâs what saved his life â the fact that we were able to get him down so quickly. Mind you, he was lucky he didnât break his neck when he left the chair. I suppose the wire must have taken a bit of his weight.â
âYes. And then the rope just slowly tightened up.â
âRight.â
âHow is he? Have you heard?â
âStill in Intensive Care, I gather. Still touch and go.â
âHmm.â Two accidents now. A stabbing which caused no casualty, and a hanging which might have been accidental and which might yet prove fatal. Charlesâ mind struggled to detect a pattern to the sequence. And, with gloom worthy of Miss Laycock-Manderley, he wondered whether the sequence had ended or was going to get worse.
âAnd youâve no idea how it happened?â
Nella shrugged. âRick fixed the rope up in the flies. I suppose he could have misjudged the tension, but itâs unlike him. Heâs pretty careful about most things.â
âYes.â Rick Harmer, on the other hand, was one of the potential suspects for the stabbing, in the scenario that saw Antony Wensleigh as the intended victim. But the A.S.M. had a motive against the Director; and apparently none against the thespian bank manager.
âThe only idea Iâve had,â Nella offered hesitantly, âcame from something Laurie said . . .â
âYes?â
âWell, you saw that review in the
Gazette
?â
âYes.â
âIt upset quite a few people.â
âEveryone, I should think. Except me.â
Nella smiled deliciously. âWell, Laurie was saying how upset Gordon had been about it, and I just wondered whether he . . . shortened the rope himself.â
âGordon? Surely he wouldnât over-react that much. I mean, I know it upset him, but heâs not a suicidal type.â
âNo, I didnât mean that. I meant that the review said he was unconvincing, and I wondered whether he said to himself, âUnconvincing, huh?