contrasted deliciously with the savory flavors of the pigeon. âThis is a splendid meal, Angelo.â He raised his glass. âOur compliments and thanks to your cook.â
âOne of the best in the Veneto, Riccardo.â He joined his guests in another sip of the Montello. âTo return to the seminar, if I may. I heard on the local TV news before you arrived that one of the participants was killed last night. Do you know about that, Riccardo?â
From the look on Caterina Savonaâs face, it appeared that this was the first she had heard of it. Betta looked at Rick, awaiting his reply.
âProfessor Fortuna, one of the specialists in all things Jacopo. He met his end last night after our final dinner for the panelists, organizers, and sponsors. It was quite a shock this morning to everyone, as you might imagine, when the police descended on the hotel.â
âIt certainly would be a shock,â Caterina said in a halting voice. âWhat do they think happened?â
âI really couldnât say. They questioned all of us, of course, and weâve been told to stay put for the moment. Which is going to inconvenience some of the participants.â
âWho were the other participants, Riccardo?â Bettaâs question, Rick knew, was intended to draw out their host. The wine and food had not diverted her from the mission.
âThere are three foreign specialists. Jeffrey Randolph is from a university in America. George Oglesby is similarly employed in England. And Karl Muller is a German who is apparently quite a Jacopo specialist. Among the Italians, besides the late Lorenzo Fortuna, was Taddeo Gaddi, another university professor, and the curator of the Jacopo collection at the museum, Dottor Tibaldi.â
âIâve met Tibaldi,â said Rinaldi. âKnows his art, but you would expect that from someone in his position.â
Rick caught Bettaâs eye and then continued. âThere were a few other people who werenât on the panels but participated to a certain extent. Some graduate studentsâ¦oh, and there was a man from Milan named Sarchetti. Art dealer.â
Rinaldiâs face showed nothing. âFrom Milan? Do you know him, Caterina?â
She grasped her wineglass. âI recall hearing the name.â
âBut do the police have any leads, Riccardo? It would seem to me that a group of art historians would not be the best pool for finding a murder suspect. Perhaps some enemy of the man followed him here and did him in. I trust that the usual robbery gone bad theory has been floated?â
Rick put down his fork. âThe police will probably tell you that they are not ruling anything out. Thatâs their usual statement, isnât it?â
âWhich usually means,â Caterina said, âthat they have no idea what happened.â
âWell, I hope they find out quickly who did it. We donât need an investigation dragging on. But as your host I should not have brought up such a subject, I prefer to discuss more enjoyable topics. Such as art.â He turned to Rick. âWe are in the presence of two women who know their art. I would love to get their opinion on something which must have come up at the conference, Riccardoâthose two lost Jacopo paintings. Here in Bassano, they are considered part of our cityâs patrimony.â
Rick tried not to show any reaction. âDefinitely discussed. I had never heard of them, so I found it all fascinating.â
âWhat Iâve heard,â Betta interjected, âis that they are hidden in some cave, or stashed away in the home of a wealthy collector. Have you hidden them in one of the rooms here, Angelo?â
She gave the host a sly wink, and Rick wondered if the wine was finally having an effect on her. Rinaldi laughed. âI wish that were the case, my dear. Caterina, have you heard about these paintings in your travels?â
Caterina Savona had been