sedentary men now airborneand feather light, whirling me round and round and all I can think about is what would happen if the Polaroid fell from my pocket. Avram has a monkey-wrench pinch on my already sore shoulder and it kills so I leap out of this fucked up situation by counting to three before diving out and nearly tripping on the sofa. But Iâm out and on the other side of the
mechitzah
. All the woman glare at me like I just shot God and I take my motherâs hand in mine. âI need to talk to you.â
âWhy are you pulling me?â she whispers.
âGo back and dance, David,â says Becca.
âI donât want to dance. I want to talk to my mother. In private.â
âWhen the song is over,â Becca says.
âItâs ended twice, itâs just repeating now.â
âWhen itâs over, David,â my mother says.
âNo!
Now!
â I donât plan to say it that loud but it comes out in a shriek.
Peter Rabbi walks around the divide. âDavid!â he says. âWhat are you doing?â
âI told you I donât dance.â
âMay I talk to you in private, please?â
âNo. You may
not
.â
âMom? Are you gonna talk to me? Huh? Mom?â
She stares at the dancers, the song repeating again. âI am celebrating, David. I donât want to do anything but celebrate this blessing.â
I fling open the front door, leap from the top step tothe sidewalk, and run to the car, where I turn on the ignition and blast the radio. Then I yank out the keys and slam them on the dash. âFuck
yooooooooou
! You lying, two fuckinâ faced Hasidic wannabe
stripper
! You have to be fucking kidding
meeeeee
!â
A person is there, suddenly there, on the sidewalk, a coat wrapped around her. Itâs her. I do not know if she heard me. Her eyes are bloodshot but her mouth shows fury for the disruption on this day of days for the Danowitzes. I open the door and get out and walk to her.
âI told them I didnât dance, Mom.â
âYou were rude to the rabbi.â
âI drove here to talk to you. I found something today and I wanted to talk about it.â I reach for the Polaroid and put it in her hand. She takes it, glances at it. Her eyes widen before blinking, and then I see tears.
âProud of yourself?â she says softly.
âWhat?â
She looks down at it again, then gives it back to me. âSo what?â she says.
âYou were a dancer?â
âAnd now Iâm not.â
We stand there, staring at each other and I can see that she despises me.
âIâm someone better,â she whispers. She takes a long deep breath that has her face pointed up at the sky. âIt was exciting for you,â she says. âTo come here today. To my friendâs home. You found that. Or your father gave it to youand you couldnât wait to hand it to me. Couldnât contain the thrill of seeing me, of hurting me.â
âNo. This was in a box in the garage andââ
âYou decided to come here, in front of my friends?â
âMom?â I say and touch her arm.
She flinches. âI want you to leave.â I see a tear jump from her eye. âI love you,â she says and cries harder. âYouâre my son, David. But I want you to leave here. I want you to leave.â
The feeling is in my bones and blood. A trickling of nerve endings that prickles my skin. She walks back on the sidewalk, then runs to Becca and Debra on the porch. I get in the car and drive past them, watching them crane their necks as I go. My sister raises her hand to wave and I instinctively do the same, but she canât see me. Thereâs no way she saw me. My motherâs tears are on my hand. Or maybe theyâre mine. Iâm crying, just here alone, driving and moaning like an idiot, like an actor in a movie, weeping as he goes, somewhere, nowhere, back to my father.
T HE DANCER IS an