under the thrashing nettles
and pull the mud up to my chin.
Not that I would submit so
to one voice only;
but by the voices of these several winds
merged into a flowing fringe of tones
that swirl and comb over the hills
I am compelled.
I shall lie sound-proofed in the mud,
a huge caddis-fly larva,
a face floating upon Egyptian unguents
in a runnel at the bottom of England.
In the Dingle Peninsula
We give ten pence to the old woman
and climb through nettles to the beehive hut.
You’ve been before. You’re showing me prehistory,
ushering me into a stone cocoon.
I finger the corbelled wall and squat against it
bowing my back in submission to its curves.
The floor’s washed rock: not even a scorchmark
as trace of the once-dwellers. But they’re here,
closer than you, and trying to seduce me:
the arched stones burn against my shoulders,
my knees tingle, the cool air buzzes…
I drag my eyelids open and sleep-walk out.
‘We’re skeletons underneath’ I’ve heard you say,
looking into coffins at neat arrangements
laid out in museums. We’re skeletons.
I take the bones of your hand lightly in mine
through the dry flesh and walk unresisting,
willing to share it, over the peopled soil.
In the Terai
Our throats full of dust, teeth harsh with it,
plastery sweat in our hair and nostrils,
we slam the flaps of the Landrover down
and think we choke on these roads.
Well, they will be better in time:
all along the dry riverbed
just as when we drove past this morning
men and women squatting under umbrellas
or cloth stretched over sticks, or nothing,
are splitting chipped stones to make smaller chips,
picking the fingernail-sized fragments
into graded heaps: roads by the handful.
We stop at the village and buy glasses of tea,
stewed and sweet; swallow dust with it
and are glad enough. The sun tilts lower.
Somewhere, surely, in this valley
under cool thatch mothers are feeding children
with steamy rice, leaning over them
to pour milk or water; the cups
tasting of earthenware, neutral, clean,
the young heads smelling only of hair.
River
‘…I saw with infinite pleasure the great object of my mission; the long sought for, majestic Niger, glittering to the morning sun, as broad as the Thames at Westminster, and flowing slowly to the eastward.’
MUNGO PARK
Travels in the Interior Districts of Africa
The strong image is always the river
was a line for the poem I never wrote
twenty years ago and never have written
of the green Wanganui under its willows
or the ice-blue milky-foaming Clutha
stopping my tremulous teenage heart.
But now when I cross Westminster Bridge
all that comes to mind is the Niger
a river Mungo Park invented for me
as he invented all those African villages
and a certain kind of astonishing silence –
the explorer having done the poet’s job
and the poet feeling gratefully redundant.
To and Fro
The Inner Harbour
Paua-Shell
Spilt petrol
oil on a puddle
the sea’s colour-chart
porcelain, tie-dyed.
Tap the shell:
glazed calcium.
Cat’s-Eye
Boss-eye, wall-eye, squinty lid
stony door for a sea-snail’s tunnel
the long beach littered with them
domes of shell, discarded virginities
where the green girl wanders, willing
to lose hers to the right man
or to the wrong man, if he should raise
his frolic head above a sand dune
glossy-black-haired, and that smile on him
Sea-Lives
Under the sand at low tide
are whispers, hisses, long slithers,
bubbles, the suck of ingestion, a soft
snap: mysteries and exclusions.
Things grow on the dunes too –
pale straggle of lupin-bushes,
cutty-grass, evening primroses
puckering in the low light.
But the sea knows better.
Walk at the edge of its rich waves:
on the surface nothing shows;
underneath it is fat and fecund.
Shrimping-Net
Standing just under the boatshed
knee-deep in dappled water
sand-coloured legs and the sand itself
greenish in the lit ripples
watching the shrimps avoid her