everywhere.â
âAnd his hand was bleeding?â
âHis hand? His heart! His hand was nothing. So we bandaged it. Or Mrs. Sporen did. They took over for a little until the rabbi came, and the neighbors.â
âThat was a help.â
âA help? What could help? Nothing could help! The dead at least lie still. I was rolling on the bed tearing out my hair.â
âMake some tea, make some tea!â Meyer Sporen is shouting at his wife.
âAll right, donât holler at me, Meyer!â sheâs hollering back at him.
âMother, for Christâs sake!â the boy is shouting.
And the girl is watching her mother help Manny undress.
âWhereâs your clean clothes, darling?â sheâs asking him, and heâs standing there like a dressmakerâs dummy, his arms and legs moving when she makes them move, otherwise not moving. In his pocket, the piece of glass, this, the one I drew you, in his fingers the bandage, and now heâs rubbing the fingers again through the bandage.
âLet me,â Mrs. Sporen says, trying to take it from him, but quick he whips it back and she stands dumb, looks around for the toilet, leads him to that little closet where the bulb goes on when you pull the string. In the light she sees her dress. And for a minute she forgets about him. She sees the smear on her dress from what he has done in his pants when she was helping him out of the clothes, and she grunts in disgust, and thereâs the girl looking at her, looking at him, and she lets out a shriek, and he, Meyer Sporen, comes rushing up to the door and he says, âWhat do you think you are doing? Weâre here to help, not hinder, and so stop complaining, and so what is it? Weâve got trouble with the lady here, so what? What?â
And the little girl points, and her mother says nothing, and the father says, âOn you even dreck looks good. Now take over, make some tea.â
âIâll make tea, Papa,â the little girl says.
âYouâll make, youâll make. Youâll make what the boy made, a mess, so donât worry. Thank you, sweetheart, but here we need your mother to take over.â
âIâm changing his clothes, canât you see?â she says to him, with a voice like a knife.
Why theyâre hollering, I donât know, I donât care, but I can hear them from the bed where Iâm tearing my hair, and Iâm thinking, why are they hollering? Soon enough theyâll be dead too. They had years then, of course, but to me at the time years were nothing. Timehad dried like laundry on the roof on a warm afternoon. Years like moisture all gone and only the wind was left, blowing my hair, my face, burning me in the chest, the arms, and I had no days, but a lot of time left, both at once, you know? I had time like a big tall glass and nothing to fill it with. And if it wasnât for Manny I would have died. But I heard them shouting, and I got up, and he was standing there while they were hollering, and he was covered with his own mess, and I took him, and they grabbed for him but I pushed them away, and I took him to the sink, and I washed my boy, and I cleaned him. It was good practice for the years to come.
âYou took good care of him, these years.â
âIs that a question? I have an answer. I took, I cared. I took good care.â
âAnd heâs grateful. You can see, he respects his mother, he gives to her.â
âYou can tell. Yes, he gives. And this gets him in trouble with you-know-who.â
âWith her? Which her?â
âThe first her. And maybe the second.â
âThe second Maby?â
âSarah, yes. The second redhead. Or third, if you count me, the mother.â
âOf course I count you. You donât count you?â
âI count, I count on my fingers. I count the years since all this happened, since my Jacob passed away.
âYou know when I started
Shawn Underhill, Nick Adams
Madison Layle & Anna Leigh Keaton