his hands off the jewel boxes.
âLook at this one, Gerry, it has secret drawer that you open from the back! And here is one with cherubs on the lid, and fancy posies on the side ⦠and this one! This one, it plays a little tune!â
They were nice. My mother would like any one of themâbut then she always liked everything I gave her, bless her. Eventually I made my selection. Caruso bought the other three.
We asked that the boxes be delivered and left. Carusoâs motor car and chauffeur were waiting out front for us; we climbed in hurriedly to get out of the cold. âThe Hotel Astor,â Caruso told the chauffeur, and to me: âWe pay Pasquale a little visit, yes?â
I hadnât been to see Amato since the day after the Madame Sans-Gêne première. I am as terrified of infection as any other singer, and even that first visit to Amatoâs sickroom had been motivated more by remorse than by anything else, since I was the one whoâd given the baritone his cold. I wanted to go see him ⦠but I didnât want to go see him.
Caruso knew what I was thinking. âDo not worry, cara Gerry. I and Scotti, we figure out way to talk to Pasquale safely. You see.â
Well, I saw, all right. Scotti was already there, demonstrating the procedure. What theyâd figured out was an arrangement whereby the visitors would sit in one room and shout through the open bedroom door to Amato. Amato, resting his voice, would scribble an answer on a notepad, and a valet would then run into the other room carrying the message. It wasnât the latest thing in rapid communication, but it worked.
Even the ever-cantankerous Dr. Curtis approved. He was putting on his coat to leave, but paused long enough to say, âAmato needs cheering up. He could use some company.â
âAnd what am I?â Scotti asked indignantly. âA piece of furniture?â
Dr. Curtis ignored him and said to me, low, âGerry, if Amato asks you about Duchon, tell him you were all a little disappointed in him, or some such. Heâs feeling just well enough to start worrying about a new rival taking over his roles.â
I glanced at Scotti. âDid you tell Toto?â
He shook his head. âAmato knows Scotti and Caruso both will lie to him and tell him anything they think might cheer him up. But for some reason he trusts you. Tell him what he wants to hear.â
âFor some reason!â I exclaimed. âWell, I like that!â
âDonât be so touchy, Gerry, you know what I mean. Just donât stay too long.â And with that, the good doctor hurried away.
The valet came running in and handed me a piece of paper. It had one word written on it: Duchon?
I could see only the foot of Amatoâs bed from where I was sitting. âFrankly, weâre a little disappointed in our French import,â I called out, taking my cue from Dr. Curtis. âHe sings well enough, but heâs not the shining star weâd all been led to expect.â
The valet rushed into the bedroom and returned with another piece of paper: Trouble?
âYes, I think you could say thereâs trouble,â I shouted. Caruso half-laughed, half-groaned. I said, âDuchon is as big a bully as Toscanini.â
Scottiâs face lit up. âIs it true?â
âDidnât Rico tell you? Heâs refused to rehearse.â
âOh, that. Yes, Rico tells me. I think there is something more.â
âGood heavens, Toto, isnât that enough? But come to think of it, there is something more. Heâs holding me to a promise I made, to sing a joint concert with him.â
Caruso looked surprised. âYou go through with it?â
I sighed. âI did say Iâd do it.â
Scotti asked, âDo you sign anything?â
âNo, but itâs a benefit concert, Toto. For Alsatian war relief. If it were just a regular concert, I wouldnât do it. But I feel obligated to