Purity of Blood by Arturo Pérez-Reverte Page A

as a monkey—I climbed up onto the pillar, then, teetering slightly on its narrow ledge, I reached for the wall and pulled myself up. I sat there an instant, astride, bent low so as not to be silhouetted against the moonlight. On one side below were the street and the plaza, and the silent shapes of my companions hugging the wall; on the other lay the shadowy silence of Las Benitas’s garden, broken only by the intermittent chirping of a cricket. I waited until the beating of my heart faded from my eardrums before moving again. And when I did, I felt the charm Angélica de Alquézar had given me at the Acero fountain swing out from inside my shirt, and heard the chink! as it struck stone.
    I had spent hours studying it. It looked very old, and on it were engraved some strange and fascinating symbols.

    I stuffed the amulet back into my shirt, where it lay against my bare skin, hoping and praying that it would bring me the luck I would need in this venture. The branches of the nearest apple tree scratched my face as I swung forward onto a limb and then, after hanging by my hands a few seconds, dropped the six or seven feet to the ground. I fell and rolled, without significant damage, brushed the dirt from my clothing, and, praying to the Holy Mother of God that there were no unchained dogs about, I followed the wall back to the small door and carefully drew back the bolt. The moment it was open, don Vicente de la Cruz and his sons slipped inside, wrapped in capes and weapons drawn, and ran quickly across the garden, their steps muffled by the soft earth. As for me, my job was done.
    I had played my part like a lad with real backbone. Without adventures, we would never know our heroes. So I went back out to the street, well satisfied, and unhesitatingly crossed the plaza. The captain’s instructions had been very precise: Go right home by the shortest route. Leaving Las Benitas and La Encarnación behind, I started up the hill along the low parapet, serene and swollen with pride because everything had been as smooth as silk. Then I was struck by the temptation to linger just a bit near the waiting coach in order to glimpse the rescued damsel—if only by moonlight and for an instant—when her father and brothers spirited her away.
    I hesitated a moment, torn between discipline and indulgence: a struggle that was never concluded. For it was in that moment of irresolution that I heard the first shot.

    There were at least ten of them, Diego Alatriste calculated, as he unsheathed his dagger and his sword. And in the patio of the convent, a few more. They came from every direction. From dark corners and doorways, from the street and the plaza, burnished steel gleamed and cries of “Hold! By the authority of the Inquisition!” and “In the name of the King!” thundered through the night. More shots sounded inside the convent wall, and a tangle of figures and flashing swords could be seen at the small door. For a moment, Alatriste thought he glimpsed a novice’s white headdress amid the clashing blades, but that image was erased by the flash of more pistol shots.
    Furthermore, it was the moment to look after his own health. The cry “By the authority of the Inquisition!” was enough to make anyone’s blood run cold. But now he was fighting to save his skin, and in such circumstances it mattered little whether against the Inquisition or the magistrate’s constables: throat slashed by a secular dagger, or sprinkled with holy water; neither was desirable. With his dagger he blocked a thrust from a shadow that seemed to have materialized out of nowhere. He drove back the apparition with three two-handed slashes and an oath, and out of the corner of his eye saw don Francisco de Quevedo fending off another two men. It scarcely seemed necessary—and it would have cost him precious breath needed for other purposes—to yell “We’ve been betrayed,” or something of the kind, so don Francisco and the captain applied themselves