and waited for him to face me again. âWhy do you think Marnie was murdered?â
Eugene gulped. âI donât know. She was usually in control of most situations. She could work anyone around to her way of thinking.â
âCould she work you?â
âHell no. Iâm my own man.â
âSo she couldnât work you.â I paused then added quietly, âAnd she couldnât work the person who took her life.â
Eugeneâs face paled. âYou arenât thinking I killed her?â
âIâm not accusing you, Eugene. Iâm stating a fact that you gave me yourself.â
He took a step toward me. âHow long have we known each other, Bretta? Four? Five years? Surely you canât believe that Iâd murder anyone.â
I edged my way to the door. âI wouldnât have thought youâd enter another personâs room and search his property, but you
did. Maybe you loved Marnie and the thought of her getting close to Jacob made you furious.â
His reaction took me by surprise. He whipped out a hand and grabbed my arm. âI never killed her. I loved her. I never would have hurt her.â
âLet go of me,â I said, jerking my arm.
Natalie spoke from the doorway. âWhatâs going on in here?â
Eugene dropped his hold on me and rearranged his expression. Like a chameleon, he reverted back to his normal ingratiating self. âIâm sorry, Bretta,â he said in a contrite manner. Hanging his head, he mumbled, âIâm upset about Marnieâs death. I lost my temper when you baited me.â He turned to Natalie. âI know sheâs your friend and a good customer of the greenhouse, but Iâm steering clear of her when sheâs in detective mode. I like the florist side better.â
Eugene walked out of the room. Natalie stared after him and then turned back to me. âWhat in the world did you do to him?â
I rubbed my arm and shook my head. âWere you looking for me?â
Natalie studied me. When she saw I wasnât going to tell her anything more, she said, âIâm going to Danâs greenhouse. I thought you might like to tag along.â
I glanced at the suitcase. I wanted another look at that picture, but after chastising Eugene for pawing around in Jacobâs belongings, I couldnât very well do the same thing myself.
I followed Natalie down the loading-dock steps. We crossed the employeesâ parking lot, where five delivery trucks were parked as well as three vans with the Parker Greenhouse name and logo stenciled on their sides.
Natalie opened the door to the orchid house. She led the way
into a small antechamber that contained a sink, a trash can, and a shelf stacked with white paper gowns and footies for covering our shoes. Taped to the door in front of us was a big sign.
AUTHORIZED PERSONNEL ONLY
YOU ARE ABOUT TO ENTER A STERILE ENVIRONMENT
PLEASE WASH HANDS
PLEASE COVER CLOTHING AND SHOES
PLEASE KEEP INNER DOOR CLOSED AT ALL TIMES
With our hands freshly washed and our shoes and clothes concealed under disposable coverings, we stepped into Danâs laboratory. The first thing I noticed was the change in temperature. The atmosphere was fresh and cool with air circulating among the plants.
âThis is really nice,â I said, raising my voice so Natalie could hear me over the fans. âIt doesnât feel like other greenhouses Iâve been in.â
âIt isnât like other greenhouses because orchids need a different climate. Dan is hand-pollinating the plants so all insects and birds have to be kept out. There canât be any unscreened openings. Intake vents pull the air from outside, filter and humidify it before releasing it in here.â
The structure was approximately twenty by forty feet long. An open-weave cloth lay across the roof, blocking out some of the harsh August sun. The floor was cement with several drains. A wide bench ran