Secrets & Surprises by Ann Beattie

envelope and dropped it on the seat between them.
    She tried to think what to say, of some way she could turn the pictures into a joke. She wanted to get out of the car and run. She wanted to stay, not to give him the money, so he would sit there with her. She reached into her purse and took out her wallet and removed four one-dollar bills.
    “How many years have you been married?” he asked.
    “One,” she said. She held the money out to him. He said “Thank you” and leaned across the seat and put his right arm over her shoulder and kissed her. She felt his scarf bunched up against their cheeks. She was amazed at how warm his lips were in the cold car.
    He moved his head away and said, “I didn’t think you’d mind if I did that.” She shook her head no. He unlocked the door and got out.
    “I could drive you to your brother’s apartment,” she said. Her voice sounded hollow. She was extremely embarrassed, but she couldn’t let him go.
    He got back in the car. “You could drive me and come in for a drink,” he said. “My brother’s working.”
    •  •  •
     
    When she got back to the car two hours later she saw a white parking ticket clamped under the windshield wiper, flapping in the wind. When she opened the car door and sank into the seat, she saw that he had left the money, neatly folded, on the floor mat on his side of the car. She did not pick up the money. In a while she started the car. She stalled it twice on the way home. When she had pulled into the driveway she looked at the money for a long time, then left it lying there. She left the car unlocked, hoping the money would be stolen. If it disappeared, she could tell herself that she had paid him. Otherwise she would not know how to deal with the situation.
    When she got into the apartment, the phone rang. “I’m at the gym to play basketball,” Larry said. “Be home in an hour.”
    “I was at the drugstore,” she said. “See you then.”
    She examined the pictures. She sat on the sofa and laid them out, the twelve of them, in three rows on the cushion next to her. The picture of the piano was between the picture of her feet and the picture of herself that she had shot by aiming into the mirror. She picked up the four pictures of their furniture and put them on the table. She picked up the others and examined them closely. She began to understand why she had taken them. She had photographed parts of her body, fragments of it, to study the pieces. She had probably done it because she thought so much about Andy’s body and the piece that was gone—the leg, below the knee, on his left side. She had had two bourbon-and-waters at the boy’s apartment, and drinking always depressed her. She felt very depressed looking at the pictures, so she put them down and went into the bedroom. She undressed. She looked at her body—whole, not a bad figure—in the mirror. It was an automatic reaction with her to close the curtains when she was naked, so she turned quickly and went to the window and did that. She went back to the mirror; the room was darker now and her body looked better. She ran her hands down her sides, wondering if the feel of her skin was anything like the way the sculpture would feel. She was sure that the sculpture would be smoother—her hands would move more quickly down the slopes of it than she wanted—that it would be cool, and that somehow she could feel the grayness of it. Those things seemed preferable to her hands lingering on her body, the imperfection of her skin, the overheated apartment. If she were the piece of sculpture and if she could feel, she would like her sense of isolation.
    This was in 1972, in Philadelphia.

La
Petite
Danseuse de
Quatorze Ans
     
     

 
H
    is father was Joseph Berridge, the painter. Her father was Horace Cragen, the poet (to be distinguished from Cragen the pianist, his brother Philip). They met in Cambridge, just after he had dropped out of Harvard at the end of the fall term.