elephant?
I have not ⦠Uma has always said that I am special.
You are. You are.
Shiv closes his eyes, bows his head, and then begins the tale of how he cut off Ganeshâs head. He tells the story with as much detail as he can summon as penance.
I want to hold his hand. I want to hold Ganeshâs hand. I want to place their hands in each otherâs.
I study Ganeshâs face. It is calm and unshaken, with no lines of doubt on his forehead, his eyes clear and gleaming. It is hard for me to imagine that once he had a different face, that once this face, this face I love, belonged to a demon.
What happened to my other head? is Ganeshâs first question after Shiv finishes, reading my mind.
We buried it, Shiv says.
Where?
Here, actually. Under the tallest tree. Parvati, your Uma, insisted that since we had taken something from the forest, something had to be returned.
Please take me to it.
Shiv guides us solemnly through the trees that sway around us until we reach it. I recall the tree by the colour of its bark, a hint of maroon, though it is no longer the tallest of its companions.
This is it.
Ganesh bends down and puts his head to the fallen leaves and wet earth.
Then he begins to sing. I immediately recognize his songâthe notes too high, the melody too beautiful.
I stand over him and sing with him.
Home is a painting. A painting purchased from IKEA.
Do you think itâs in bad taste? IKEA art?
Who cares? Itâs beautiful.
It was.
It was a painting of Manhattan in black and white and from the skyâs perspective. All the grandeur and busyness of a big city captured and unusually still.
They had hung the painting over their bed. On some mornings, after he would leave for work, she would linger under the duvet, look up, and reminisce about their travel adventures. And whenever he was distracted while he read, he would stare at it to ground him. He dreamed names and lives and quests associated with each apartment light. He even reserved a small window light in the right-hand corner just for them.
Wouldnât it be great to live in New York for a year? she had said.
It would.
We could really experience the city. Not just as tourists.
Yeah, but there is no way they are going to let two brown people move to New York.
Especially not with your beard.
They chuckled.
The painting became a fixture of their bedroom, as vital as the bed itself, and over time, he couldnât imagine their home without it.
Now, they had the unimaginable task of drawing a line between their possessions, to be divided into her boxes and his boxes. As his hand touched every object and fixture, it re-awakened a unique memory, a precious history that was embedded in each.
one painting
one bed
one TV
one couch
one recliner
four bar stools
four mugs
eight plates
four bowls
two frying pans
one bottle of ketchup
one bottle of soy sauce
one bottle of Patakâs pickle
one box of pasta
two towels
two dish towels
one bottle of Windex
two sets of bed sheets
one clotheshorse
one stool
two lamps
two bookshelves
one alarm clock
one desk
one cutlery set
He was certain his heart would literally break and often crossed his arms over his chest to keep it intact. But he was profoundly wrong. He discovered that a home could break, but a heart could not. That their home could break, but his heart would not despite how much he wished it would. His heart could actually withstand the dissolution of his home, and this was where the pain came from. Pain was his heart bearing and bearing and bearing and bearing and bearing and bearing and bearing and bearing. Pain was the sound of his relentless heartbeat, pushing forward as though nothing was changing. Pain was knowing that he was the cause of her pain, the reason why her eyes were without their sparkle and wonder. Pain was not knowing if he was making a monumental mistake, wanting to reach out to her and say, Iâm sorry, Iâve changed my