The Apple Tree by Daphne du Maurier Page A

Anna,
    Some strange providence brought me to the village on Monte Verità. I found Victor there. He is desperately ill, and I think dying. If you have a message to send him, leave it beneath the wall. I will carry it to him. I must warn you also that I believe your community to be in danger. The people from the valley are frightened and angry because one of their women has disappeared. They are likely to come to Monte Verità, and do damage.
    In parting, I want to tell you that Victor has never stopped loving you and thinking about you.
    And I signed my name at the bottom of the page.
    I started walking towards the wall. As I drew close I could see the slit windows, described to me long ago by Victor, and it came to me that there might be eyes behind them, watching, that beyond each narrow opening there could be a figure, waiting.
    I stooped and put the letters on the ground beneath the wall. As I did so, the wall before me swung back suddenly and opened. Arms stretched forth from the yawning gap and seized me, and I was flung to the ground, with hands about my throat. The last thing I heard, before losing consciousness, was the sound of a boy, laughing.
    I awoke with violence, jerked back into reality from some great depth of slumber, and I knew that a moment before I had not been alone. Someone had been beside me, kneeling, peering down into my sleeping face.
    I sat up and looked about me, cold and numb. I was in a cell about ten foot long, and the daylight, ghostly pale, filtered through the narrow slit in the stone wall. I glanced at my watch. The hands pointed to a quarter to five. I must have lain unconscious for a little over four hours, and this was the false light that comes before dawn.
    My first feeling now, on waking, was one of anger. I had been fooled. The people in the village below Monte Verità had lied to me, and to Victor too. The rough hands that had seized me, and the boy's laugh that I heard, these had belonged to the villagers themselves. That man, and his son, had preceded me up the mountain track, and had lain in wait for me. They knew a way of entry through the walls. They had fooled Victor through the years, and thought to fool me too. God alone knew their motive. It could not be robbery. We neither of us had anything but the clothes we wore. This cell into which they had thrust me was quite bare. No sign of human habitation, not even a board on which to lie. A strange thing, though—they had not bound me. And there was no door to the cell. The entry was open, a long slit, like the window, but large enough to permit the passage of a single form.
    I sat waiting for the light to strengthen and for the feeling, too, to come back to my shoulders, arms and legs. My sense of caution told me this was wise. If I ventured through the opening now, I might in the dim light stumble, and fall, and be lost in some labyrinth of passage-way or stair.
    My anger grew with the daylight, yet with it also a feeling of despair. I longed more than anything to get hold of the fellow and his son, threaten them both, fight them if necessary—I would not be thrown to the ground a second time unawares. But what if they had gone away and left me in this place, without means of exit? Supposing this, then, was the trick they played on strangers, and had done so through countless years, the old man before them, and others before him, luring the women from the valley too, and once inside these walls leaving the victims to starvation and death? The uneasiness mounting in me would turn to panic if I thought too far ahead, and to calm myself I felt in my pocket for my cigarette case. The first few puffs steadied me, the smell and the taste of the smoke belonged to the world I knew.
    Then I saw the frescoes. The growing light betrayed them to me. They covered the walls of the cell, and were drawn upon the ceiling too. Not the rough primitive efforts of uncultured peasants, nor yet the saintly scrawling of religious artists, deeply