Esteban was silent, looking over the mountains. âYou arenât going to take that present away from her? It might mean a lot to her . . . you know.â
âAll right,â murmured Esteban, as though much impressed.
âYes. Besides the oceanâs better than Peru. You know Lima and Cuzco and the road. You have nothing more to know about them. You see itâs the ocean you want. Besides on the boat youâll have something to do every minute. Iâll see to that. Go and get your things and weâll start.â
Esteban was trying to make a decision. It had always been Manuel who had made the decisions and even Manuel had never been forced to make as great a one as this. Esteban went slowly upstairs. The Captain waited for him and waited so long that presently he ventured half the way up the stairs and listened. At first there was silence; then a series of noises that his imagination was able to identify at once. Esteban had scraped away the plaster about a beam and was adjusting a rope about it. The Captain stood on the stairs trembling: âPerhaps itâs best,â he said to himself. âPerhaps I should leave him alone. Perhaps itâs the only thing possible for him.â Then on hearing another sound he flung himself against the door, fell into the room and caught the boy. âGo away,â cried Esteban. âLet me be. Donât come in now.â
Esteban fell face downward upon the floor. âI am alone, alone, alone,â he cried. The Captain stood above him, his great plain face ridged and gray with pain; it was his own old hours he was reliving. He was the awkwardest speaker in the world apart from the lore of the sea, but there are times when it requires a high courage to speak the banal. He could not be sure the figure on the floor was listening, but he said, âWe do what we can. We push on, Esteban, as best we can. It isnât for long, you know. Time keeps going by. Youâll be surprised at the way time passes.â
They started for Lima. When they reached the bridge of San Luis Rey, the Captain descended to the stream below in order to supervise the passage of some merchandise, but Esteban crossed by the bridge and fell with it.
Part Four
Uncle Pio
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In one of her letters (the XXIX th) the Marquesa de Montemayor tries to describe the impression that Uncle Pio âour aged Harlequinâ made upon her: âI have been sitting all morning on the green balcony making you a pair of slippers, my soul,â she tells her daughter. âAs the golden wire did not take up my whole attention I was able to follow the activity of a coterie of ants in the wall beside me. Somewhere behind the partition they were patiently destroying my house. Every three minutes a little workman would appear between two boards and drop a grain of wood upon the floor below. Then he would wave his antennae at me and back busily into his mysterious corridor. In the meantime various brothers and sisters of his were trotting back and forth on a certain highway, stopping to massage one anotherâs heads, or if the messages they bore were of first importance, refusing angrily to massage or to be massaged. And at once I thought of Uncle Pio. Why? Where else but with him had I seen that very gesture with which he arrests a passing abbé or a courtierâs valet, and whispers, his lips laid against his victimâs ear? And surely enough, before noon I saw him hurry by on one of those mysterious errands of his. As I am the idlest and silliest of women I sent Pepita to get me a piece of nougat which I placed on the antâs highway. Similarly I sent word to the Café Pizarro asking them to send Uncle Pio to see me if he dropped in before sunset. I shall give him that old bent salad fork with the turquoise in it, and he will bring me a copy of the new ballad that everyone is singing about the
dâqâa of Olâvâs. My child, you shall have the best of