had once been a cool strip with the Nighthawk Diner and the Varsity Theater and subversive bookstores and protesters railing against the government on street corners. Today, the Drag was just another string of expensive stores catering to rich students.
Andy entered the campus at the West Mall, the free speech zone where student activists pushed their political agendas between classes. He rode past long-legged girls in short-shorts (wow), oversized athletes acting as if they owned the place (they did), and tenured leftist professors (who made the Harvard faculty look like a Republican caucus) strolling with the confidence of knowing they could never be fired by the school's conservative alumni. He looked up at the three-hundred-foot-tall UT clock tower rising in front of him; in 1966 a deranged shooter had gone up to the observation deck with a high-powered rifle and killed sixteen people below.
Andy's mother had been on campus that day.
New buildings were going up everywhere, as if the goal were to pave over every square inch of green space on campus; of course, the only green that mattered at UT was the kind printed by the U.S. Treasury. Hence, the construction of more naming rights. For say, a $50 million donation, the university would name a building after you—"naming rights" in the vernacular; and rich Texans were lining up to buy theirs. UT buildings were named after corporations and CEOs, doctors and lawyers, athletes and coaches, politicians and presidents. The crown jewel was the Lyndon B. Johnson School of Public Affairs, which Andy's mother always said made about as much sense as a Joseph Stalin School of Humanities.
Andy emerged onto San Jacinto Street in front of the Reeves Research Institute and rode past the massive Darrell K. Royal-Texas Memorial Stadium where 96,000 fans watch the Texas Longhorns play football, listen to the public announcers on the $9 million sound system, and view instant replays on the "Godzillatron," the $8 million high-definition video screen that measured 55 feet in height by 134 feet in width, the biggest HDTV screen in America.
How's that for bragging rights?
One hundred thirty-two years later, some might debate whether the State of Texas had fulfilled the constitutional mandate for a university of the first class, but anyone who dared argue that the university's football team was not first class would be met with a simple, irrefutable rebuttal: the Longhorns had won four national football championships.
Andy parked the bike outside the Fine Arts Building then went inside and found his mother's classroom; the door was propped open. He leaned against the wall outside and listened to his mother teach art history. All that he knew about art had been learned by listening in on her classes, a practice begun at birth. She had taken him to class with her every day until he had entered kindergarten; she said he had listened intently to her lectures. He liked to listen to her still and to watch her in moments like this, when she wasn't being his mother; when she was a human being engaged in her life's pursuit: Dr. Jean Prescott, artist, Ph.D. in art history, and tenured professor.
She was sixty-one and slim, pretty and passionate. Her hair was black with gray streaks. She wore a colorful skirt, a red shirt, sandals, and a smile. She was pretty even with her minimalist makeup, but back in her day she had been a beautiful flower child. She was passionate about art and about life, politics and education, immigration and global warming, war and football. She had protested every American war from Vietnam to Iraq and the presidents who had waged them; to this day, she remained proud of her extensive arrest record. Andy wished that he had known her back then—and that he possessed more of her passion for life. His passion was reserved for the bike. That was when he felt alive. The rest of the time, he felt as if he were just sleepwalking through life.
He waited for her class to end and the