The Devil`s Feather by Minette Walters Page A

would have been so interested. She loved reading.”
    I opened my mouth to dampen her enthusiasm but she was already talking about something else. I don’t remember what it was now, a reference to Daphne du Maurier, I expect— “an old friend of Mummy’s” —whom she trotted out to new acquaintances as a close family connection. This seemed a little unlikely to me, as there was a considerable age difference between the novelist and Lily, and du Maurier had been dead for fifteen years, but Madeleine brushed such details aside. In the world she inhabited, meeting a person fleetingly at a party amounted to friendship.
    She dropped names for effect in the same way that her mother was said to have done. I began to understand this when I commented on the paintings at Barton House and learnt that Nathaniel Harrison was her husband. It made sense of Jess’s remark that Madeleine had acquired the collection by sleeping with the man who owned them—even if “married to the artist” would have been more illuminating—but it led to a definite withdrawal on Madeleine’s part.
    She spoke of Nathaniel as if he were up with greats, and to cement the impression she quoted David Hockney, suggesting he was a close acquaintance and a great admirer of her husband’s work. To listen to her, Hockney was a regular visitor to Nathaniel’s studio and always singing his praises to critics and dealers. I was genuinely interested, not just in how they knew Hockney, but in why he would champion an artist whose style and approach to painting were so different from his own.
    “I didn’t realize he spent so much time in England,” I said. “I thought he was permanently based in America now.”
    Madeleine smiled. “He comes when he can.”
    “So how did you meet him?”
    “The painting world’s a small one,” she said rather coolly, looking for someone else to speak to. “Nathaniel’s invited to all the openings.”
    I should have left it there. Instead I asked her which other contemporary artists she and her husband knew. Lucian Freud? Damien Hirst? Tracey Emin? And where did her husband fit into the Brit art scene? Had Saatchi bought any of his work? She continued to smile but it fell far short of her eyes, and I knew I’d overstepped some invisible line in etiquette. I was supposed to revere the absent Nathaniel, not demonstrate knowledge of other artists or question Nathaniel’s close friendship with them.
    It was all very childish, and I was amused at how she avoided me until Peter brought us together again. “Did Marianne tell you Jess Derbyshire’s been helping her settle in?” he asked, steering her towards me with a hand in the small of her back. “Jess has built a hoist so that Marianne can access the Internet via her mobile.”
    I watched Madeleine’s expression close at the mention of Jess. “It’s fairly ramshackle,” I said. “We’ve discovered a signal near the ceiling in the back bedroom that allows me to operate my laptop underneath it. But it’s not ideal, and I wondered if you’d have any objections to my installing broadband. It’s available through the Barton Regis exchange and it would make life a lot easier. I’ve asked the agent and he says he can’t see a problem as long as I pay for it. I’ll happily leave the ADSL modem behind when I go.”
    Peter placed a teasing hand on my shoulder. “It’s no good talking gobbledy-gook to Madeleine. She still uses a quill and parchment. It’s a little box,” he explained to her, “that separates voices from online connection…means you can use the phone at the same time as the computer. If Marianne’s prepared to pay for it then my advice is to give her the go-ahead immediately.” He laughed. “It’ll make that old ruin of yours more attractive to the next tenant, and it won’t cost you a thing.”
    Madeleine’s smile would have frozen the balls off a brass monkey, but it wasn’t directed at Peter. It was directed at me. I had a strong sense