waiting car. âAll right, letâs go!â One of the policemen slammed Patrick up against one of the back doors and cuffed his hands hard.
âI get it now, Jolly Green Joker,â said the shotgun cop. âYou stage your own little Christmas pageant just waiting to pickpocket everyoneâs candy canes.â
âI swearââ was all Patrick could get out before the driver cop shoved him in the backseat.
âSave it for your new cellmates. I know some boys inside our cages who love a good bedtime story.â The two cops climbed into the cruiserâs front seat, which was separated from the back by thick steel meshing.
Patrick put his hands and face to the wire. âBut you donât understand. You have to listen to me.â
The driver started the engine as the shotgun cop addressed Patrick. âWhen you join the NYPD, they tell you that you donât have to listen to bums who pickpocket people at Christmas. Itâs like a regulation or something.â
The patrol car pulled away from the curb. Patrick turned to the back window and watched the crowd disperse. He couldnât find Mindy or Kent or even George. But he did find someone. It was Mila standing there with Ted. Her eyes and Patrickâs met as she watched him being driven away.
âI didnât do it,â Patrick mouthed, but before he could finish his sentence, Ted had already turned the young woman around to lead her away.
Chapter 16
WANDERERS OF THE DARK
M idnight Manhattan splashed itself across the horizon in a blurry Milky Way of traffic signals and blinking neon. Here and there, wandering cabs trolled the streets for stray merrymakers looking for a dry ride home from their holiday cheer. One taxi driver gave up searching for a new fare and peeled off the East River Parkway to head across the Brooklyn Bridge.
Ted sat in his cashmere dressing gown and watched the lone taxi from his apartment window as it drove over the river and wound its way around an off-ramp before disappearing into the wet backstreets of Brooklyn Heights. âThe wrathful skies gallow the very wanderers of the dark and make them keep their caves.â
âWhat did you say, Uncle Ted?â
Ted looked up to see Mila standing behind him, having just let herself into the apartment.
âNothing,â he said and pulled his gown tightly around him. âWhat are you doing here so late?â
âI came to drop off these papers. I worked overtime to get them done. Iâve got a lot of packing to do before I leave. Why are you talking to yourself in the dark?â
âI donât answer to my employees. They answer to me.â
Mila set down the stack of papers.
âThis is the last of my work. Iâm no longer an employee.â
Mila came over and curled herself up on the far end of the leather couch.
âPoof, Iâm once again your niece.â
âWho taught you how to talk?â Ted asked with a wry grin.
âThe one who was always there for me while Mom was off memorizing the beaches at Costa Del Sol . . . you.â
âMy sisterâs a good person. But itâs a fact she often forgets.â
Ted reached out and gripped his nieceâs hand.
âWhat were you saying when I came in?â
Ted exhaled. âI was reciting a line from a play. King Lear .â
âIâve heard the title. Whatâs it about?â
Ted looked out the window at the dark downpour splashing across the glass. âItâs about an old man with a long white beard who talks to himself in the night rain.â
âYouâre behind on your beard.â
âI donât think the shareholders would care for an unshaven CEO. I knew a corporate president once whose two-day stubble sparked rumors of a no-Âconfidence vote.â
âSo why are you reciting a play to yourself in the night rain?â
âBecause, like Lear, Iâm going crazy. Isnât it