out to take a look. They thought ⦠well, you know what they thought.â
He nodded at the floor.
âCan I get my wallet back?â
âHowâd you find me?â
âLicense plate. Like I said, Iâve been trying to reach you. I called that number you gave Ray. Left messages.â
âThatâs Jackâs cell. I use it sometimes. Why were you trying to call me?â
âTo apologize for the way I acted that day.â
âYou canât be serious.â
âBelieve what you want. Iâm going to get my things.â
He got up and she took another step back. He leaned over, pain in his back, picked up his wallet, the things that had fallen out of itâa credit card, a small color snapshot of Cristina on the beach, taken when they were in Captiva last year. He slid them back in the wallet, replaced it in his jeans pocket, stood up. His neck ached.
âIâm sorry if you got hurt,â she said. âHe was just protecting me.â
âWhatever. Iâm leaving.â
âWait.â
He shook his head.
âIâve had enough. Fuck this. And fuck you. I wonât call again.â
Jack appeared in the doorway, looked from her to Harry then back.
âNikki,â he said, âwe need to get Reggie to a hospital. I think his nose is broken.â
âGo ahead,â she said. âTake the Blazer.â
He looked at Harry.
âItâs okay,â she said. âIt was a misunderstanding. Go on.â
A minute later, Jack led Reggie through the room, a bloodstained dish towel held to his face. He glared at Harry as Jack got coats from a closet, helped him into one. Harry watched him. Jack caught Reggie by the arm, led him through the front door. After a moment, they heard the Blazer engine start, watched through the window as it pulled away.
âWhoâs William Matthews?â he said.
âWhat?â
âThe Blazer is registered to a William Matthews. Thatâs how I found this address.â
âThatâs Jack. His real name is William, but nobody calls him that anymore.â
âThat makes as much sense as anything else around here, I guess.â
âIâm sorry about all this. Reggie can be a hothead. He comes on too strong sometimes. And I guess weâre all a little on edge.â
âBecause of Harrow?â
âYes.â
âWell, good luck with that.â
He went to the front door, had it open when she said, âHold on.â
He looked back at her.
âYouâre serious?â she said. âAbout why you came here?â
âForget it,â he said and went out the door. He stopped, looked back at her.
âThis your package out here?â
âWhat?â
âOn the porch. You didnât see it?â
âWhat package?â
âRight here.â
He held the door open. When she started to move past him, he threw his weight into her, pinned her hard against the left doorjamb. He caught the wrist of her gun hand, twisted. She flailed and he leaned into her.
âLet go of me.â
He got both hands on the wrist, bent it until she gasped and her fingers opened. He took the gun away from her, spun her around and put the fingers of his left hand between her breasts, shoved. She took three off-balance steps into the living room, sat down hard on the floor.
âSon of a bitch, â she said, and then he stepped back into the room, pushed the door shut behind him.
She froze, looked at him, the gun.
He ejected the magazine, worked the slide. The chambered shell flew out, hit the floor and rolled beneath the couch. He put the gun in his jacket pocket, then thumbed the shells out of the magazine one by one into his left hand. When he had all four out, he opened the door again, went onto the porch. He shook them like dice, the brass clinking in his grip, then tossed them out into the yard. He looked back at her, still sitting, then flung the magazine away in